A Quote by Raoul Peck
[James] Baldwin was a revelation for me, the kind of revelation that follows you all your life because you can go back to it. It's not just about stories. It's about philosophy. It's about criticizing the world. It's about deconstructing the world around you.
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I once took a workshop with Jim Shepard, and he has this term, 'rate-of-revelation,' that has come to mean a lot to me: 'the pace at which we're learning crucial emotional information about the stories' central figures.' An ever-increasing rate-of-revelation is good; a stagnant r-of-r is not.
So many of the stories are about perspective and viewpoint. It's not just about seeing and revelation. The idea of having many different stories from many different perspectives has something to do with me trying to deal with the impossibility of having a wide enough view to say anything really convincing on that scale.
Many of us will be obsessed with one or another kind of secret or revelation, be it gossip about friends or ourselves, a fantasy about spies, or a worry about the most personal information now stored in data banks. But few of us think about secrets in general, or about the moral rights and wrongs of hiding or exposing them.
I am open to [the notion of theistic revelation], but not enthusiastic about potential revelation from God. On the positive side, for example, I am very much impressed with physicist Gerald Schroeder's comments on Genesis 1. That this biblical account might be scientifically accurate raises the possibility that it is revelation.
I just like stories about redemption about getting a second chance at life, I think everyone in the world has a few major mistakes they've made in there lives and if they could just go back and correct it... but, unfortunately they don't get a chance usually it's almost impossible.
If you want to talk about grace, if you want to talk about revelation, talk about your life with some depth, which doesn't mean lurid revelations as much as simply looking at your own deep experiences and describing them as they are.
People talk about revelation, and say it has ceased; but what ignorance it bespeaks, when man knows not the least thing on earth without revelation.
The relationship between looking and desire is really about the promise of revelation - the hope that the subject of your gaze will reveal something to you - whether or not that revelation is prurient. And that's really what eroticism is - the anticipation of disclosure.
He loved telling stories. He had been everywhere in the world. The northwest frontier, the landscape of the Hindu Kush, was one of the great landscapes of my childhood because he used to evoke it with his stories. He taught me the sequence of ranks in the British army when I was about eight. I was in the bed with him while he told me everything about his life - except, probably, the real things, because of course you couldn't go there.
Although you may have never sat down and defined what your philosophy is, it is fully operative and working in your life at all times. It deals with what you believe about the world in which you live, about its people and events, about how you affect them.
For me, it's about making art that's not good but phenomenal. James Baldwin didn't want to just stay above the fray. Prince didn't think, 'I wonder what the industry is gonna think about 'Purple Rain.'' It's just, is this honest? Is this real? Does this move me? The rest is icing.
The Bible is God's declaratory revelation to man containing the great truths about God, about man, about history, about salvation, and about prophecy that God wanted us to know. The Bible could be trusted just as much as if God had taken the pen and written the words Himself.
As you get older, your songwriting starts to become less and less about you, and especially when you have kids and a family. You start to see the world through other people's eyes a lot more to the point where it's hard to go back and relate to that "me against the world" perspective that I think a lot of my earlier songs were about. It's not so much about "me against the world," it's, how do you make the best possible future for your kids to grow up in?
It's about panic. It's about fear. It's about instilling the American populace with terror, dread, and apprehension about the future. It's all about making you think that your way of life is "destroying the world." America is the root of all evil in the world, according to the environmentalist wackos. You, the citizens of the United States, are ruining everything.
That young people don't have valid thoughts about the world because they haven't been alive long enough is sadly a very popular and, frankly, unoriginal sentiment. When I think about that time, I was just responding to the world around me.
Science isn't just about solving this or that puzzle. It's about understanding how the world works: the whole world from the vastness of the cosmos to the particularity of an individual human life. It's worth thinking about how all the different ways we have to talk about the world manage to fit together.
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