A Quote by Raoul Peck

If you asked me today if there's a piece that I would do differently - there's nothing. Regret happens with all my films. — © Raoul Peck
If you asked me today if there's a piece that I would do differently - there's nothing. Regret happens with all my films.
Oh, you're one of the sodomites. You should only get AIDS and die, you pig. How's that? Why don't you see if you can sue me, you pig. You got nothing better than to put me down, you piece of garbage. You have got nothing to do today, You have got nothing to do today, go eat a sausage and choke on it.
You'd think, 'What if I make a mistake today, I'll regret it'. I don’t believe in regret, I feel everything leads us to where we are and we have to just jump forward, mean well, commit and just see what happens.
I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
I was asked the other day if I would be interested in the Nobel Prize, but I think that for me it would be an absolute catastrophe. I would certainly be interested in deserving it, but to receive it would be terrible. It would just complicate even more the problems of fame. The only thing I really regret in life is not having a daughter.
I asked for strength, and God gave me difficulties to make me strong. I asked for wisdom, and God gave me problems to learn to solve. I asked for prosperity, and God gave me a brain and brawn to work. I asked for courage, and God gave me dangers to overcome. I asked for love, and God gave me people to help. I asked for favors, and God gave me opportunities. I received nothing I wanted. I received everything I needed.
I do nothing I regret, man, because I try to do nothing abominable. As long as there is not an abomination, there is nothing to regret, you understand?
If I regret leaving City, I'd regret leaving Madrid, I would regret Arsenal, and I would regret maybe even Metz, where I started off. So I have no regrets in life; life is too short to start regretting things.
My failures were something for me - my first contact with professional football. Though it didn't go all that well, it's not a regret, it's just like that. But looking back, those failures helped me consider football differently, consider the professional game differently.
Most acting today on television is like a locomotive on a track. Everybody knows what they are doing. The problem of writing today is everyone sounds the same. We speak differently. We think differently. People are different. And that's the beauty of it.
When people around me were signing films, I would wonder why nothing good came my way. See, I wasn't desperate to do films, but I was desperate to do good films.
I could have signed 10 films after 'Jai Ho,' but those films would have done nothing for me. I wanted to wait for the right project.
I think the reality of prison is you don't get anything unless you want it in there. Whatever happens to you in prison, this is what you asked for. Nothing happens to you if you don't give that vibe.
It was complicated at Madrid. I was suspicious. The lack of recognition for Makelele over there scared me. I was scared it would happen to me. But I should have gone there. Today, I don't regret the career that I have had, but if I could have changed one thing, it would be that: to go to Madrid.
I rise today with no small measure of regret, regret because of the state of our disunion, regret because of the disrepair and destructiveness of our politics, regret because of the indecency of our discourse.
I started as a child artist, and not as a heroine, as most would think. I was performing on stage once when the late Bimal Roy saw me and asked me if I would work in films. I was too tiny. Without realising, I just said yes.
If I was lying on the side of the mountain, dying, would I have any regrets? Yeah. I would regret not making films.
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