A Quote by Ray Allen

Sequels to most movies are always fluff and not as good as the first. — © Ray Allen
Sequels to most movies are always fluff and not as good as the first.
I have to stay interested. I can't do the same thing over and over again, which is why I don't do - I've made sequels, but it's the movies that are not sequels that I enjoy the most.
I want my fluff-fluff! (Bob) Fluff-fluff… (Zarek looked panicked.) (Zarek)
I would happily have done any of the 'Bourne Identity' sequels. There are good sequels, but I'm not good at making them.
I'm just trying to think what other sequels there were. There was the James Bond movies and not many. I think sequels have become a recent idea of franchising.
Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
While I always thought of making sequels to movies like 'Ghayal,' the filmmakers would almost always veto the idea.
I've always made sequels, even when I was making Super 8 movies if the audience liked it.
I hate sequels. They're never as good as the first book.
Before sequels became the most reliable way to make a buck, Bond set the standard for lavish serial adventures. Before Hollywood found gold in multimillion-dollar adaptations of comic-book characters - in the Superman, Batman and Spider-Man blockbusters - Bond was the movies' first big-budget franchise superhero.
I don't like sequels at all. If the movie's good the first time, why bother?
I got lot to do at a pretty young age in terms of emotionally challenging films. I did not do any fluff... fluff is not me.
It turns out there's only one thing that capuchins really, really love - and that's sweet stuff. If you give them a big vat of say, marshmallow fluff, and you let them go at it, what they'll do is eat their body weight in marshmallow fluff, walk away, they'll vomit, and they'll come back and eat their body weight again. And they'll vomit. And they'll do that for as long as there is marshmallow fluff out there. They love marshmallow fluff.
On TV, if you fluff your lines, nobody gives a toss. But if you fluff a penalty in the World Cup, well - we all know how much that matters.
I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.
I think true connectivity is something that is rare in sequels. I mean I love the first 'Die Hard' film; you won't find a bigger 'Die Hard' fan than me. But I feel like with the sequels, they're just taking that character and dropping him in different scenarios. There's no real connective tissue.
What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.
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