A Quote by Ray Harryhausen
Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.
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I do like our young talent here, but it needs to get better. And we need some better veterans if we can go out and get them. We all get discouraged by losing. I sit there every game and see the little things that happen and you feel like they cost you games. But the reality is that we are still some time away from being what I hope we can be. And that's going to take some good decision-making on our part.
Film works when a director and a star have a connection. You know, when there's something telekinetic between them, there's a partnership, it's like alter egos. It's like James Stewart and Alfred Hitchcock, or Fellini and Mastroianni. I'm not comparing, I'm just saying, if you can come into a relationship where the director and star have such a bond, it's so much easier to make a movie.
I sort of became infatuated with soldiers. I got to know some of them and got a little perturbed with Hollywood making a spectacle out of them and making them look like they have screwed up somehow.
I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.
I feel I can rush the passer well. I feel like I can play the run even better than what I did starting off to when I got in my senior year as far as making plays in the backfield and just being able to break down film a lot better.
Many people around the President have sizeable egos before entering government, some with good reason. Their new positions will do little to moderate their egos.
Of course there are some actors that are better than others and performances that are better than others, but they're always embedded in the greater film. They are mediated through the work of so many other people: the director directs, the lighter sets the scene, the editors edit, the music gets put to it.
I work independently of the director, and to some extent, that's actually a big relief to them. When I come to them in post-production, they're tired and over-budget. What can be better to them than presenting a full score totally gift-wrapped?
I loved making The Imitation Game and it's really gratifying to hear the audience's response to the character that I play. It was just a little thing that I did because I really liked the film and I liked Benedict [Cumberbatch] and I loved Morten's [director Morten Tyldum] previous film, Headhunters. For me, it was something I did thinking, "Wow, this is a lovely quality piece of work."
It's the reality: film is a director's medium, and, ultimately, they are the ones that are in charge, and you have to respect that because somebody has to be in charge. But, yeah, you do reach a point where you want to have your voice come out.
We had some pretty good at-bats off Carpenter. We just couldn't find any holes. That's the way it goes sometimes. We were able to get some guys on but weren't able to get them in early. We did some little things right, we got some guys on, we got some walks. We take it one batter at a time and everybody tries to stay within their own limitations. We did that, we just didn't get the big hit to get them in.
Here in Europe some of the challenges have to do with structures that are so complicated. You've got Brussels, and you've got parliament, you've got councils and then you've got national governments. So people sometimes don't feel as if they know who's making decisions, and the more that we can bring people in and engage them, the better. Some of it is also cultural and social, people's sense of identity.
Film acting would be about 80 percent better than it has been lately if actors did their homework, if they didn't have egos that took the size of their talent for granted.
Sometimes I felt lonely because I pushed people away for so long that I honestly didn't have many close connections left. I was physically isolated and disconnected from the world. Sometimes I felt lonely in a crowded room. This kind of loneliness pierced my soul and ached to the core. I not only felt disconnected from the world, but I also felt like no one ever loved me. Intellectually, I knew that people did, but I still felt that way.
On a film crew, you can see very quickly that some people who are working with you are stronger than you. Then you have to have the humility to listen to them. And because very often they have better ideas than yours, it can be tough on the evil ego. But it makes a better film.
The reason that I discouraged my boys as I was discouraged was not because of wrestling itself. The reason I discouraged them as a father was from having lived the lifestyle - like my father did - and understanding the hardships that come along with it. It's not the wrestling itself. It's the 90 percent divorce rate.
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