A Quote by Reed Morano
As a cinematographer, I was always attracted to stories that have the potential to be told with as few words as possible.
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I was always writing. I've always been attracted to words and stories, communication.
There's always the temptation, as a cinematographer, to make the shot look as perfect as possible.
I'm attracted to stories that excite my imagination, stories that, as I'm reading the script, I feel it, I can see it, I can hear the characters. I'm attracted to characters that are real, that tap into something inside me that I haven't explored yet.
Before acting, I was always attracted to words, to literature - be they the words of Williams, Arthur Miller, Shakespeare or Moliere.
I guess the more women are present and out there in life, the more their stories will be told. I don't know. Their stories have always been told on Lifetime.
It had always fascinated him that she'd consumed so many words, that her head was full of stories, told a thousand different ways.
When I went to Jamia, I thought I wanted to be a cinematographer or photographer because I liked telling stories in pictures, but my teachers explained that if you want to tell your own stories then that is what a director does.
I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer.
I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
I'm interested in the economy of words and forms: jokes, aphorisms, copywriting, advertising, that way of writing when meaning has to be squeezed into as few words as possible.
Have I ever told you how scary it is that you think of heels in terms of their possible shiv potential?
I don't have one thing I go back to, but we listen to a lot of music in the bus, and we always get a few songs or a few records that end up being themes for the tour. On tour I read all of George Saunders' short stories and all of Alice Munro's short stories. George Saunders is who has taught me about this question about whether or not love is possible in the contemporary world, with all of its simulations and all of its pop and divergences and all of the confusion and distraction. Whether or not contemporary reality is actually hospitable to love.
Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
Stories that can be told through language and words don't need to be filmed.
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