A Quote by Reed Morano
I've DP'd so many films for first-time directors, and I know the trauma, the heartbreak, the vulnerability, how much you have to believe in the story.
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I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.
I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.
Great directors turn in mediocre work and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know.
I don't know what to expect out of my films. My first two films were with extremely talented directors, and they didn't work. And my next two films were with newcomers, and they worked well. So I've stopped expecting anything from my movies.
When you're in the middle of it, when you're a kid growing up, you don't think, 'This is my first heartbreak.' You just think, 'My heart is broken.' But then as a parent, you look back, and you see your child go through his or her first heartbreak, and you're realizing, 'Oh my God, this is her first heartbreak.'
Having seen many of my friends go through the trial of trying month after month to conceive, then finally the joy of getting pregnant followed by the heartbreak of miscarriage, I know how lonely and isolating it can be to have to go back to square one carrying that heartbreak with you.
I have come to the conclusion that human beings are born with an innate capacity to triumph over trauma. I believe not only that trauma is curable, but that the healing process can be a catalyst for profound awakening - a portal opening to emotional and genuine spiritual transformation. I have little doubt that as individuals, families, communities, and even nations, we have the capacity to learn how to heal and prevent much of the damage done by trauma. In so doing, we will significantly increase our ability to achieve both our individual and collective dreams.
First time films are hard. Even with some of the greatest directors, you look back at their first film, and you are just going, 'That movie is kind of bad.'
There are many young and new directors, who have fabulous concepts and story ideas, and this is why I do their films. And the bottom line is, when I was a newcomer, someone gave me a chance too.
My music is very raw, it's emotional, and it's honest. I do my best to tell a story whenever I write music because I want to paint the most vivid picture that tells a story whether a person is falling in love for the first time or going through a painful heartbreak.
To love someone fiercely, to believe in something with your whole heart, to celebrate a fleeting moment in time, to fully engage in a life that doesn’t come with guarantees – these are risks that involve vulnerability and often pain. But, I’m learning that recognizing and leaning into the discomfort of vulnerability teaches us how to live with joy, gratitude and grace.
The thing I love about working with first-time directors is that it's always quite shocking how little difference there is between them and directors who've been directing all their lives.
Many have marked the speed with which Muad'Dib learned the necessities of Arrakis. The Bene Gesserit, of course, know the basis of this speed. For the others, we can say that Muad'Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn. It is shocking to find how many people do not believe they can learn, and how many more believe learning to be difficult. Muad'Dib knew that every experience carries its lesson.
A sad truth I learned as a DP starting out was that it doesn't matter how beautiful I make it if the story and performance are not there. That should be number one.
If I look back on my life, you can almost tell the story of it through pop songs. Romances as a teenager, your first kiss, first love, first heartbreak.
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