A Quote by Reed Morano
I try to shoot film wherever possible. There's nothing like it.
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I don't like to shoot on sets at all. As much as possible, I try to shoot on location.
I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
When you shoot a film, you have very little time to waste, and I try to go into the character as soon as possible and stay there as much as I can.
I look for the role that excites me and work with whoever that director happens to be, wherever he wants to shoot the film.
I try not to shoot unnecessarily or spend on extra expenses that normally happen on a film set - like actors' fees.
I saw my job [as president] as to try to move the world from an unstable condition of interdependence toward more integrated cooperative world community. Therefore, my approach was to cooperate wherever possible and to build institutions of cooperation, an expanded NATO, the World Trade Organization, the Summit of the Americas, the Asian Pacific Leaders, all those, the coalition to fight in Bosnia and Kosovo, to cooperate wherever possible but to act alone if we had to.
Wherever I get it, I feel like if I'm open, I'm going to shoot it. Because my confidence is real high, and I feel if my defender's too tight, I can drive by him and try to get a bucket.
I became passionate about nature filmmaking when I graduated from UCLA, and one of the things I always wanted to do was shoot really high quality film, so I got into time-lapse photography - so that means when you shoot a flower, you're shooting, like, one frame every twenty minutes, so that's basically two seconds of a film per day.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
I come from the school of thought that feels that if you can shoot film, you should shoot film.
I carry my own film guys with me now. People think that's a huge expense, but with technology like it is these days, it's not. You can film videos and everything with a Canon Mark II, and shoot a movie. They're doing it for next to nothing, by comparison. I can do ten videos for a project for the price of one mainstream video in the past.
We're constantly on the road, and we all love to eat, so we try to find balance. We never like to deprive ourselves, but we do try to eat clean as much as possible and sneak in workouts wherever we can so we feel energized and don't feel bad when we eat that extra handful of Flaming Hot Cheetos!
We shoot with three cameras, try to shoot both sides of coverage if possible. That allows the actors to overlap and to find moments that feel more authentic and real than what you sometimes would normally get in a scripted drama that's shot more classically. And that's something in 'Parenthood' that has evolved.
You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.
I can understand there are things like shadows they need to fix after a shoot, but it's unfair to represent an image of yourself if it's not true. They're gonna see what you look like on film anyway, so why try to cover all your wobbly bits in a photo?
Make film, shoot film, run film. Do something. Make film. Shoot anything.
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