A Quote by Reed Morano

A lot of TV and film commits to one tone. — © Reed Morano
A lot of TV and film commits to one tone.

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I had achieved a lot on TV and I wanted to do a film. And during that time I was told many that 'you are a TV star, when people can watch you for free on TV who will buy a ticket to watch you on screen?' I faced it a lot.
For film and TV, try to have a more conversational tone. For stage, you'll need better diction and bigger vocal production.
There are a lot of similarities with film and TV, but also a lot of differences, especially in the way they film stuff.
I feel like there's a lot of experience I have from doing TV animation that would be especially useful doing an animated film in terms of some efficiencies of the process that are necessary for TV, just because you have to crank out material every week, that could be applied to film.
The tone is so important to a film, and that tone can really make something fall or succeed.
With 'Sharknado,' they've got a great mix of TV and film. This is a film that has film impact in the TV medium.
Push-ups are seriously the best way to tone your arms - and they tone your abs at the same time! I like to do them when I'm home watching TV or listening to music.
Film noir is not a genre. It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray or film off-white.
For me, as an actor, going from TV to film was interesting because TV and film are two very different things.
I prefer film to TV because of the amount of time film affords you that TV doesn't (though theater is probably my favorite and the scariest place of all).
When you're doing the work, film and TV are exactly the same. TV is just film in reduced pieces.
I think when I got drawn to film, I didn't know it was a business. I mean, like most filmmakers, I probably saw more films than a lot of people when I was a kid. But I watched them on TV as well. I was no purist about it. I spent lots of time in movie theaters, but I also watched a lot of films on TV.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
Music is everything to me. It's the heart and soul of a movie or TV show to me because it can be such an injection of tone, and I think tone is everything to a story.
We don't have a lot of narrative on TV or film, mainstream film, of brown queers. Latina queers, I can't think of that many.
It's very strange what happens when I start working for a film. In my life I've done a lot of stuff - I did a lot of dance music, a lot of TV shows and lots of different types of films - and every time it is a new experience.
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