A Quote by Reed Morano
Out of 10 projects I get sent, seven or eight are female protagonists, and that's not the only thing I'm interested in.
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I'm not interested in making movies only with female protagonists. I think it's ridiculous to think that a female director can't direct men. That makes no sense to me.
Out of every 10 scripts I get sent, seven are fairly generic about an American guy who gets the girl and is involved in underground espionage activity.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
At seven, I played centre-back. When you're so young, though, it's more to enjoy the training and to get a feel for the game. It's not heavy on tactics of a position. We were playing on a half pitch, seven against seven or eight against eight, so they say you're a centre-back, but it's not like the real definition.
I don't wanna get into that space where a lot of guys now, their solo album is like eight or 10 songs with other people, you don't get an idea of who this guy is. I just wasn't interested in that.
There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
One of my earliest memories... I knew three full verses of the Star Spangled Banner when I was seven or eight years old. And one of the nuns discovered this phenomenon and I was actually sent around from classroom to classroom to do the whole thing.
And yeah, my handicap was down to a 10 when we were at the thick of it. I trained for six or seven months, golfing every day for six hours, seven days a week, with eight trainers. It was intense.
We only see female protagonists who are likeable, with one cute flaw, such as adorable clumsiness. I'm fed up with it.
It is all of our jobs to make sure that women's rights are human rights, and that they do have a place at the table, and we all push toward equality. The leadership numbers for women in business really haven't changed since I began as CEO. There are only 21 female CEOs at Fortune 500 companies, there is only 17 to 19 percent of female representatives in Congress, there are only eight female governors.
I'm always drawn to female stories with female protagonists, and I particularly yearn for more older actresses to take centre stage in 2018.
Sometimes, you go out there and get knocked out in the first seven seconds. That might be one out of 10 times, but that is why we fight.
From the three, you then use one to make eight ones. You add those ones to the three, and you get one-three base eight, or, in other words, In base ten you have eleven, and you take away seven. And seven from eleven is four. Now go back to the sixty-fours, you're left with two.
Every five, six, seven, eight, 10 years I do a raisonné. When it's printed in the book, it's finished.
If we're going to change the game it has to start at eight, nine and 10 years old. When we were that age we'd go to the pond or backyard rink and throw a puck on the ice and play five on five, or seven on seven. You get this creativity and this imagination that comes from within, just having fun on the pond. Now kids are so focused on team play, and the coaches are so focused on positioning. You can't change it at the NHL level.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
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