A Quote by Reed Morano
It's a very tricky job we have as DPs, where you are expected to make something that really is an emotional art but also needs to be technically spot on. You're often given a very small window of time to achieve it. People sometimes expect it to be even quicker and forget that there's a schedule for a reason.
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Life isn't moving quickly - time moves very quickly. But I don't really have a schedule now that's very challenging. I make the calls and I call the shots, so I feel reasonably centered. Sometimes, I wonder whether or not it's even necessary to do concerts and stuff.
Acknowledging that sometimes, often at very crucial times, you really have no idea where you are going or even where the path lies. A the same time, you can very well know something about where you are now (even if it is knowing that you are lost, confused, enraged or without hope).
I regard each sentence as a little wheel... Now and again I try to put a really big one next to a very small one in such a way that the big one, turning slowly, will make the small one spin so fast that it hums. Very tricky, that.
I think it's very common that scientists or technical people have an artistic side. Sometimes they are very accomplished musicians. Sometimes they have very fine tastes according to art or design. And often, they've spent a big chunk of their childhood or they're growing-up years trying to get in very good at those activities.
Whether it is fear of having fish pie or staying in someone's house or not being able to tell the time, all of those things I can remember very clearly. We so often forget how big all these things are for very small children because they are so often trying these things for the first time.
I think that human beings, even the ones who are sometimes hurting you, are often very, very confused at their center. Even people who are doing things that are nefarious - it's often out of confusion. I know that it's tough to be a human whether you're good or bad. I'm acutely aware of that. If that comes through, then I'm really grateful.
Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.
Books written by boys are given very different treatment to those written by girls: they're even given very different covers. People also expect, in this YA-booming world, girls to be less experimental than boys: girls are achieving a lot of success, but they're confined.
People often forget that even though training is very important, your diet also has to be very good. You have to get plenty of rest. That's when your body reacts to the training.
I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.
Writing is an art but also a craft, which means it's a job. I don't teach. This is how the groceries get on the table. You sometimes make creative sacrifices to get the job done. All that said, I'm looking forward to getting out of the two-book-a-year schedule I'm on and to getting some self-indulgence going.
Sometimes I make stuff, and even I don't like it. There's something about it that I don't really like, or annoys me. For whatever reason it needs to come out.
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
You work so hard at something to make sure that it's very pure and very genuine and very steadfast to who you are, so creative control for me is a big one. Thankfully, I've been able to retain 98% of it which I never really expected, so I'm very grateful to be able to control what I can.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
Television is also a great tool for women. As you know, the best female roles are often on television, so it's a very exciting time. I've really embraced it. The pace is great, but also not so great sometimes. You feel like you have to make sure to pay attention, at all times, to not let anything slip through.
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