A Quote by Reggie Jackson

I couldn't accept the racial epithets in reference to players like Elliott Maddox or Billy Sample. — © Reggie Jackson
I couldn't accept the racial epithets in reference to players like Elliott Maddox or Billy Sample.
For it is a plain fact that, most certainly in the West, the writings, works of art, musical compositions which are of central reference, comport that which is "grave and constant" (Joyce's epithets) in the mystery of our condition.
Thinking about her again caused his body to harden, to ready... "Uh, I'm happy to sit close to you and everything, but I had no idea you would like it so much," Paris muttered. For the first time in hundreds of years, Maddox felt a blush creep into his cheek, "It's not for you." "Thank the gods," was his friends reply. -Maddox and Paris
Billy had a framed prayer on his office wall which expressed his method for keeping going, even though he was unenthusiastic about living. A lot of patients who saw the prayer on Billy’s wall told him that it helped them to keep going, too. It went like this: “God grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom always to tell the difference.” Among the things Billy Pilgrim could not change were the past, the present, and the future.
But it all came, and for me, hip-hop has done more for racial divide and racial sort of bringing together than anything in the last 30 years. Seeing people like Eminem sounding like somebody like Jay-Z and just the racial aspects of it all.
Elliott's bigger, stronger, maybe even a step faster than Emmitt Smith, but they're both very similar. I think, you know, Ezekiel Elliott is a more powerful runner. He runs over people. Both of 'em can make people miss, so you don't really get a big shot on 'em. But Elliott will take on tacklers, whereas, you know, Emmitt never did this.
All people of goodwill object to racial hatred. But no one cares that Billy Crystal darkened his skin to portray Sammy Davis Jr.
People called me a dude and said there was no way I could be a woman. Some even wanted me to prove it to them. During high school and college, when we traveled for games, people would shout the same things while also using racial epithets and terrible homophobic slurs.
I can sample Blink-182 but put an African vocal sample in there.
You can count on the fingers of one hand the times a B sample has not confirmed the result of the A sample. It's almost always a delaying tactic.
I never had an understanding of Billy Martin. I did not accept the way he managed me. I did not accept the way he managed Ken Holtzman. I thought there was anti-Semitism there.
Offsetting the sample position every time the sample hits will create more random movement in short samples.
That's happened a couple times: Billy Joel. It was just, "You sound like Billy Joel." And I get really upset about that. No offense to that guy, but it's not for me.
'Superstar' Billy Graham was someone that my dad taught from A to Z, from tying up to submission wrestling. Billy was more of a showman than a wrestler. My dad used to love tying Billy in knots, and Iron Sheik would be watching.
During the 1937 congressional election campaign, Johnson's group probably paid $5,000 to Elliott Roosevelt, one of Franklin Roosevelt's sons, for a telegram in which Elliott suggested that the Roosevelt family favored Lyndon Johnson.
My fight is not for racial sameness but for racial equality and against racial prejudice and discrimination.
I have one goal with all my decision: to do whatever is needed to win today's game. I'm loyal to my players, and I stick with people because consistency builds confidence. But if I feel I have to make a change in order to win, I'll do it. I don't ask players to like my decisions, only to accept that I'm doing my job with one thing in mind - winning.
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