A Quote by Rem Koolhaas

We know that Las Vegas is junk, but at the same time I think that exactly the same process and ultimately also, perhaps the same logic, attaches itself to or underlies our masterpieces. We live in an amazing era when in spite of an absence of masters there is an explosion of masterpieces.
People who know there is a god and people who know there isn't live in exactly the same world. Same number of hours in the day, same weather, same football results. They both love their children and die of the same diseases.
Some people really live and work within the same doctrine, the same diagram with the same logic.
Kids draw masterpieces - they're the best painters ever. I think the same with music. They could totally write amazing music if they just had the right tools. It's important at that age to set up something, and then maybe afterwards you can go study your violin for 500 hours a week. But at least in the beginning you know about the options.
And so, Thanksgiving. Its the most amazing holiday. Just think about it — it's a miracle that once a year so many millions of Americans sit down to exactly the same meal as one another, exactly the same meal they grew up eating, and exactly the same meal they ate a year earlier. The turkey. The sweet potatoes. The stuffing. The pumpkin pie. Is there anything else we all can agree so vehemently about? I don't think so.
Solidarity does not assume that our struggles are the same struggles, or that our pain is the same pain, or that our hope is for the same future. Solidarity involves commitment, and work, as well as the recognition that even if we do not have the same feelings, or the same lives, or the same bodies, we do live on common ground.
Viva Las Vegas with your neon flashin' and your one arm bandits crashin' all those hopes down the drain. Viva Las Vegas turnin' day into nighttime, turnin night into daytime. If you see it once, you'll never be the same again.
The creative process is a very collaborative process. I know it might seem that way because so much ink is spilled and the media is obsessed with business and numbers and studios... but filmmakers don't think of it that way. We just go off and we tell our stories. It's the same torture that we adore, it's the same torture that our forefathers endured making movies in the golden era of Hollywood. So, from my perspective it's no different, I'm sure, from the men and women who I admire so much who made the earliest movies.
In my early writing, all of my characters were exactly the same person. They all spoke the same, made the same types of jokes, reacted the same, etc. I think they were all just me in disguise.
Here's an easy way to see if a war movie is being truthful: If you see an explosion on a faraway hillside and the sound of the explosion and the detonation of the bomb happen at the same time - if they're putting the sound and the vision together in the same moment - they're going toward our cultural understanding of war, not the reality of war.
When I studied how to think in school, I was taught that the first rule of logic was that a thing cannot both be and not be at the same time and in the same respect. That last note, “in the same respect,” says a lot. As soon as you change the frame of reference, you’ve changed the truthiness of a once immutable fact.
I don't like to do things the same way every time. You always want to be evolving as a composer, and if your creative process is exactly the same each time, then how do you expect today's work to be any different from yesterday's?
My discussion is one that has gone all the way from Fistful of Dollars through Once Upon a Time in America. But if you look closely at all these films, you find in them the same meanings, the same humor, the same point of view, and, also, the same pains.
If you had to relive your life exactly as it was – same successes and failures, same happiness, same miseries, same mixture of comedy and tragedy – would you want to? Was it worth it?
Everyone goes to the same exhibitions and the same parties, stays in the same handful of hotels, eats at the same no-star restaurants, and has almost the same opinions. I adore the art world, but this is copycat behavior in a sphere that prides itself on independent thinking.
The words 'maybe' and 'perhaps' are literally the same - the flavor is the same, the educational level is the same. But you just know when to use maybe and when to use perhaps. I think it's because of this: You get to know the tastes or musical tastes of words themselves, and this informs your choice, whether you use them or not.
For years, I ate the same foods every day, in exactly the same manner, at exactly the same times.
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