A Quote by Renee James
You see a lot of women who take the negative things that come their way and let it slide off them, like they are coated with Teflon.
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I think the secret to happiness is having a Teflon soul. Whatever comes your way, you either let it slide or you cook with it.
I was the first person to export Teflon-coated ironing board covers to Japan.
I take pride in a lot of things people take for granted, so when opportunities come my way, I just cherish them and try to make the most of them.
Many men I come across see women in an antagonistic way, and it's always the basis for a bad relationship. What I mean by that is men who come with pre-conceived notions that women are trying to tie them down, or hold them back, or that women are shallow, or that women are only attracted to money, or whatever it is.
I don't mean to sound sexist, but as far as women have come over the last 40 years, you don't really see a lot of women hunters. They're still in the minority in the military, and there's not a lot of female construction workers. I hope that's not taken the wrong way. I think women are as smart, resourceful, and capable in most things as any man could be … but they are generally physically weaker. That's science.
Al Gore has all of the positive attributes of Bill Clinton but is saddled with none of his negatives. He's a great big teddy bear of a political figure - Teflon coated, road tested, and everyone's nice guy.
I don't see the women as a problem. The women are doing all they can do. They're heading up households; they're single parents; they're breadwinners; they're the 'mamas,' they're the 'daddies,' they're the 'uncles.' They take the kids to school; they take them to doctors, you know? They take them to games. I see it all the time.
The call that always seemed the toughest to me was the slide and tag play at second. You can see it coming, but you don't know which way the runner is going to slide, where the throw is going to be, and how the fielder is going to take the throw.
I like cast iron coated with enamel for longevity and forgiveness if I happen to take my eyes off the prize while pouring Chianti.
I think a lot of women who are celebrities and who are very beautiful have terrible problems with their men being very controlling. Women allow themselves to be dominated and controlled by men in all sorts of other ways that are very complicated, you know? I don't really see a lot of women engaging in discussions about the struggles and power relations with men and their lives, like their bosses, boyfriends, husbands, coworkers. I don't see that happening very often, whereas I see a lot of misogyny on the internet. I see a lot of hatred towards women and a lot of fear of women.
I do prefer doing more takes. There's something very organic that comes from the first take, but certain things come out. More details come out, in the way another actor says something. It's always this investigative process. You come further and further to the truth, the more you escalate. I like to do a lot of takes. I have a hunger for it. I like to see what there is to discover in a scene, that hasn't been thought of.
I like it when every pitch counts. There are a lot of people who see it as a negative, but I try to feed off it.
I seem to be getting a lot of things pushed my way that are strong women. It's like people see Hackers and they send me offers to play tough women with guns, the kind who wear no bra and a little tank top. I'd like to play strong women who are also very feminine.
I have a lot of scripts that come my way, and some of them take a bit longer to read than others. There are a lot of things that I have to pass on because I'm just not into it, and sometimes the story is slightly forced.
A lot of the time I use slide tuning for rhythm parts. I play a lot of slide in regular tuning as well as open tunings. I'm still mad about slide, there are so many ways of progressing on it.
If I'm home and I come up with something, I'll try to record it, but a lot of the time I'll forget to. A lot of things go off into space and never come back 'cause I just don't remember them.
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