A Quote by Rich Moore

From the moment we started working on the first 'Wreck-It Ralph,' we knew there were so many possibilities with these characters. — © Rich Moore
From the moment we started working on the first 'Wreck-It Ralph,' we knew there were so many possibilities with these characters.
From working with Ralph Lauren, I started to understand what it meant to build a brand. There were times when I was working there that it seemed so repetitive. At the time, I didn't understand what was happening. But when I stepped out of it, I realized what he was doing was achieving a signature look and reiterating that. That's why when you think about a polo shirt you think about Ralph - he owns that garment.
I knew that this was the movie in which a lot of the cinema version of Burton-esque first started. So, I knew that there were things that were hugely important to him for it, but it didn't really feel that different than working on any other of these projects.
I have to admit that I was a little nervous when I showed up for my first official 'Wreck-It Ralph' recording session.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from the people that we knew.
I'll never forget the first moment I stepped on a Broadway stage. It was in Grease, and I knew it was momentous. My parents were there, and I got into a cab with them afterward and started crying.
I knew that I wanted to intern at 'Teen Vogue' from the moment the first issue hit newsstands. Luckily, the team at Polo Ralph Lauren, where I interned during high school, really believed in me and arranged for an interview with the editors.
'Ralph's Party' was a romantic comedy, and at the end of it, the two main characters, Ralph and Jen, kiss for the first time and think they're going to be happy together. Then, 10 years later, I wrote a sequel in which they've been together for 10 years and are about to split up.
The editor, Stephen Segal, actually called me with the idea of creating an accordion book [ "The Thorn & The Blossom"], and asked if I could write a story for it. I was so intrigued! I immediately knew that it had to be a love story told from the points of view of the two main characters. Right away, I started working on a proposal. And once I had my main characters, Brendan and Evelyn, it was as though they started telling me their stories.
For me the most moving moment came when I first started working on 2001. I was already in awe of him, and he had very much already become Stanley Kubrick by the time the film started.
When I was older and I first started working, I was obsessed with buying my first Chanel jacket. I saved up my hard-earned money, went to Barneys, and bought a little black Chanel jacket. It saw many, many job interviews and many, many events. I'm not fitting into it lately, but I still have it.
Ralph Angel, for me, was about getting in touch with the similarities between the characters. I felt like he was a human being that I knew and [somebody] that I've been and am currently still exploring.
So many times it seemed like there were chances to stop things before they started. Or even stop them in midstream. But it was even worse when you knew in that very moment that there was still time to save yourself, and yet you couldn't even budge.
When I first started writing the books in the 1980s, all of the female detectives were flawed in some way because they were based on noir characters.
Black people didn't start coming to see me until 1982. I'd just started doing Delbert, and suddenly my world changed. I started doing black-centred characters that were about people I knew in the community.
When Miranda first started becoming popular, not many people knew who she was. People were confused by her. They thought she was a real person. I got a lot of interesting responses.
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