A Quote by Richa Pallod

Detailing and backstories are so important; only they draw you into the life of a character. — © Richa Pallod
Detailing and backstories are so important; only they draw you into the life of a character.
The level of detail and craft is something that's inscribed within the original design concept. And so when I begin to draw, I know what kind of detailing I want the building to have.
I'm only 13, so I can't say "life experiences." So, basically, I had to... act! I had to make up character that is very old. I guess that's why they call it acting - you do draw from some stuff in your life, I guess, but it's not real life. You have to fake it.
The mere wit is only a human bauble. He is to life what bells are to horses-not expected to draw the load, but only to jingle while the horses draw.
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it. You cant draw it for others. You can try, of course, but it doesn't work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
I found out animation is incredibly boring. You draw and draw and draw, and it's only a few seconds done in a week.
The women I draw all have the same sort of personality. I can't draw gentle girls; I only know how to draw ones who are strong-willed.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
In TV, you can really get into not only great characters, but also the relationships. There are all of the backstories and all of the relationships that you have with every person in your life, and the relationships those people have with each other. It's just more dense and there's more time to tell stories.
A lot of my writing and my detailing of scenes are based on my observations of life in Nagpur.
I believe you can only draw from your own life as an actor. All the characters I've played, I only have my infinite eye and the presence of my life to take from.
I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.
I have the Muji pen that has different colors. My daughter loves to play hangman, or we draw. It's important you can draw a rainbow at all times.
As a writer, you have to put yourself in service to the character, get behind their eyes by delineating the world where the character develops. You have to listen to the character and see him inside his certain world to know what conclusions he would draw.
You draw the character from all angles - side, profile, back, etc. so the animator has this character in all the ways it looks like.
I don't want to draw from my own experiences in life. I first like to become the character and then think from her point of view.
To point out the importance of circumspection in your conduct, it may be proper to observe that a good moral character is the first essential in a man, and that the habits contracted at your age are generally indelible, and your conduct here may stamp your character through life. It is therefore highly important that you should endeavor not only to be learned but virtuous.
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