A Quote by Richa Pallod

I personally don't like family dramas, but don't mind playing a mother or a homemaker, provided that character has an identity. — © Richa Pallod
I personally don't like family dramas, but don't mind playing a mother or a homemaker, provided that character has an identity.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
There are certain images attached to an Indian woman - a mother, daughter, homemaker... there are certain parts of it that I really like, and I love having that identity also, but I feel women shouldn't be limited to that.
The tendency is to think if you are a professional woman, it's because you've turned your back on the traditional side. The tendency is not to recognize that we can excel as professionals without giving up our identity of being mother, wife and homemaker.
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
I love playing a dad. It's hard to find family dramas that are genuinely funny.
The self divided is precisely where the self is authentically located. . . We all have identity crises because a single identity is a delusion of the monotheistic mind. . . Authenticity is in the illusion, playing it, seeing through it from within as we play it, like an actor who sees through his mask and can only see in this way.
I've always been a homemaker, like, I like creating spaces. Even if I stay in a hotel, I'll unpack, I'll put my books out, I'll put my camera out, I'll throw a sweater over the lamp to get better light. I am a homemaker.
I'm a big fan of character actors like Johnny Depp and Gary Oldman. My goal is to continue playing character roles in indie films and move into playing character leads.
Even when I was on Curb Your Enthusiasm I wasn't this "over-the-top" crazy character. It was still kind of play it straight but it was funny because the situation was funny. That's kind of how I portrayed things and I like dramas; I like to be able to - because in dramas you can laugh and joke and still be serious, be real. I like the realism of them.
I know personally that being a conservative minority is a test of character. Identity, after all, is an integral and cherished part of the self.
If you're doing television, you get to be a character for a long time, and the cast around you becomes like family. You get attached to playing that one character, and it's hard leaving them behind.
I come from a working-class family, and I've been working since I was 13, from babysitting to blueberry picking to factory work to bookstore work. And of course, being a mother and homemaker, the hardest work of all.
Family dramas are tough, as a playwright. Most stories are about characters going on a trip or a new character coming to town, because that's how you learn information about them. But with family, they all know each other already. There's years of history in every interaction.
When I was growing up, I dreamed about becoming a cowgirl, a detective, a spy, a great actress, or a ballerina. Not a dentist, like my father, or a homemaker, like my mother - and certainly not a writer, although I always loved to read.
The European problem is that it assumes that the minute a woman has a child, the mother identity subsumes the professional identity. Now she's the mother, above all, and we must give her all this time.
I enjoy watching the genre of family dramas. I love family films like 'Nuvvu Naku Nacchav,' 'Malleeswari,' and 'Bommarillu.'
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