A Quote by Richa Pallod
I think it's possible to bag substantial roles in meaningful cinema despite being a mother. My role in Yagavarayinum ' is the best example.
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When I started years back, there was a lot of apprehension to don a mother's role. People feared that once you play a mother, you will get similar roles from next time too. But look at actresses like Kareena Kapoor or Malaika Arora. They look so hot in real life despite being mothers.
You hear these yummy mummies talk about being the best possible mother, and they put all their effort into their children. I also want to be the best possible mother, but I know that my job as a mother includes bringing my children up so, actually, they can live without me.
Action roles - or any role - should go to the best guy for the job. People obsess about nationality. Hollywood and America might be the hub for pop culture and cinema for the Western world, but that shouldn't suggest that all the roles should go to young American men.
First there's my role just as an executive being responsible for advertising, regardless of gender. I think that's a position that I take seriously. That's the first role. But I think for my role as a woman at Google, you try to set a good example and be a role model for the other women in the organization.
I took the role of Rochelle in 'Everybody Hates Chris,' and that was it. I was going to play mother roles all the time. Once you do one mother role, it's always a trickle down effect.
I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.
The truth is despite the hard work and juggling required to keep the different facets of the frantic life afloat, the "superwoman"has one marvelous compensation. Being busy and being seen to be busy lets you off the hook. Buys you a way out of all aspects of your many roles you secretly despiselike cleaning cupboardsor entertaining your husband's business friends. When you combine wife, mother, career and all, each role become the perfect excuse for avoiding the worst aspects of the other.
I'm always open to not necessarily to do leading roles because I want to do roles that are the best, character role. And sometimes, it's not going to be a leading role. It's going to be a smaller, supporting role. So really, I'm open to doing anything.
My first mother's role was in 'Aradhana.' But after that in mid to late 1980s, I was being offered more roles of mothers.
I played Sanjay Dutt's role in 'Son of Sardar' in a Kannad film. But because roles aren't being discussed and published that much people tend to think that I am doing only negative roles.
As children, we think our mother has always been a mother, but it is just one of the roles you may have the opportunity to play. They don't define you as a human being.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.
I like playing an array of different roles. From the fun, comedic roles to the serious roles. It's always fun to play the role that either closely represents your own personality or the role that is completely opposite of yourself.
My favourite way of watching the cinema is the biggest possible cinema you can find, with the biggest possible screen, and the loudest possible Dolby - but just me. Nobody else.
I got the role of a lifetime in Rajinder Singh Bedi's 'Phagun' in 1973. I had to play Jaya Bachchan's mother. That did it for me. I was suddenly flooded with mother's roles.
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