A Quote by Richard Donner

I realized what you could do in motion pictures by surrounding yourself with geniuses. — © Richard Donner
I realized what you could do in motion pictures by surrounding yourself with geniuses.
Filmmakers began to experiment with special effects almost as soon as motion pictures were invented. The history of special effects is the history of motion pictures.
If you take the '70s with Blaxploitation pictures, there was a proliferation of black-content films and motion pictures, television, stage plays and so forth at a time when Hollywood was in trouble financially, and it was cheaper to do black films to keep the lights on until they could reestablish themselves.
I thought that from the moment someone else could do the same as myself, there was no difference between the pictures and they should not be signed. Afterwards I realized it was not so and began to sign my pictures again. Picasso had begun again anyhow.
I made 60 motion pictures and only wore the sarong in about six pictures, but it did become a kind of trademark.
That's why I never took this business too seriously, thinking I was something special, when I knew the truly great performers in motion pictures. pictures.
I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera.
Geniuses come in many shapes and colors, and they often run in packs. If you can find one, it may lead you to others. Collaborate with geniuses. Send them your spells. Look carefully at theirs. What could you do together? Combination is creation.
I suddenly realized that the fellow who didn't show up was getting about fifty-times more money than I was getting. So I thought, 'this is silly,' and became an actor. I certainly never thought I'd wind up in motion pictures. That was far beyond anything I'd ever dreamed of.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
If I could earn the living that I earn in motion pictures and television in the theater, I'd be doing theater. But you can't. Nor come even close to it.
I never had a burning desire to direct. But Burt and I, on many pictures together, used to watch other directors and we realized that he or I could do a lot better.
The geniuses who conduct the motion-picture business killed glamour when they decided that what the public wanted was not dream stuff, from which movies used to be made, but realism.
We are to have no pictures which the puritan and the narrow, animated by an obsolete dogma, cannot approve of. We are to have no theaters no motion pictures, no books, no public exhibitions of any kind, no speech even which will anyway contravene his limited view of life.
I realized that you could formulate theories about human and social phenomena in language and pictures and whatever you wanted on the computer, and you didn't have to go through this straitjacket, adding a lot of numbers.
I made my last motion picture in March 1965 for Magna Pictures. 'Harlow,' based on the life of actress Jean Harlow... I didn't know at the time that 'Harlow' would be my last motion picture.
I went around the corner to motion pictures.
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