A Quote by Richard Eyre
I've always believed that you write to discover what you think. On most subjects, if I'm asked what do I think about them, I'd say I don't know, I'll have to write them down.
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I don't know what I think about certain subjects, even today, until I sit down and try to write about them.
People always say, 'Do you get bothered by what people say or blog or write about you?' I only do if I know them. If I know them, and I have a relationship with them and they write that, then that would surprise me a lot. Usually the people writing the negative stuff don't know me at all.
Now I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that, otherwise you end up preaching down.
I try to write about small insignificant things. I try to find out if it’s possible to say anything about them. And I almost always do if I sit down and write about something. There is something in that thing that I can write about. It’s very much like a rehearsal. An exercise, in a way.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
Someone wanted me to write a profile for ESPN about the commissioner of baseball, and I said, "He's just some suit! Some Republican. No!" I mean if you want me to write about baseball, boxing or football, I'll write about those things because I watch them, I think about them a lot and I like them. But I don't want to write about Barry Bonds.
I think my first general rule is that most of my experiences are not that interesting. It's usually other people's experiences. It's not that entirely conscious. Somebody tells me a story or, you know, repeats an anecdote that somebody else told them and I just feel like I have to write it down so I don't forget - that means for me, something made it fiction-worthy. Interesting things never happen to me, so maybe two or three times when they do, I have to use them, so I write them down.
Nearly all interested parties think I write too shortly on the subjects that interest them most.
The only way, I think, to learn to write short stories is to write them, and then try to discover what you have done.
I would say if you want to write, write what you care about. I think that's the most important thing. I think if you write what you care about, you stand a better chance of having the reader care about your story.
When it comes to heartbreaks and disappointments, I often have to be more or less done with them to be able to write about them. Then you might ask why I would write about them at all, but I think I owe it to the Jens of the past.
I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that; otherwise, you end up preaching down. You need to listen not so much to the audience but to the story itself.
Write your script. When you see things you don't want, don't think about them, write about them, talk about them, push against them, or join groups that focus on the don't wants... remove your attention from don't wants.. and place them on do wants.
The scene that scares you the most, that you don't want to write because it's the most difficult to write-that's the one you have to write. So I think when people have writer's block, it's because what they have to write scares them. And that's usually the heart of the book.
I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
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