A Quote by Richard Hofstadter

To the reactionary ear every whispered criticism of the elite classes has always sounded like the opening shot of an uprising. — © Richard Hofstadter
To the reactionary ear every whispered criticism of the elite classes has always sounded like the opening shot of an uprising.
The state machine, including the army, the police and the courts, is the instrument with which one class oppresses another. It is an instrument of oppression against all hostile classes; it means violence and is certainly not anything 'benevolent.' 'You are merciless.' Quite so. We definitely do not adopt a benevolent policy towards the reactionary activities of the reactionaries and the reactionary classes.
I just want to let you know that when I look into my future, I see nothing but you.” That’s what Chaz had whispered in my ear at some point during the wedding last night. Then he’d whispered. “And you’re not even wearing Spanx.
I have the worst ear for criticism, even when I have created a stage set I like, I always hear the woman in the back of the dress circle, who says she doesn't like blue.
I have the worst ear for criticism; even when I have created a stage set I like, I always hear the woman in the back of the dress circle who says she doesn't like blue.
Whereever you end up;" Jack whispered into my ear."I wish you clear skies. Always
I waited two thousand years for you, Grace Alexander,” he whispered in her ear. “And you were worth every second of it.
All the other large and small nationalities and peoples are destined to perish before long in the revolutionary world storm. The next world war will result in the disappearance from the face of the earth not only of reactionary classes and dynasties, but also of entire reactionary peoples. And that, too, is a step forward.
It was like Elvis came along and whispered some dream in everybody's ear
Isaac Smith sounded like Curtis Fuller, Corey Hogan sounded like Sonny Rollins, Terrace Martin sounded like Jackie McLean. Already, at 13, 14, 15 years old.
Wake up,' a voice like water rippling over rocks whispered in my ear.
I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.
Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.
I thought I might get a part as a farmer. I knew about the books but I hadn't read them. A few weeks later, an actor whispered in my ear, 'It sounds like you're in line for James Herriot.' I read every book in about 48 hours.
In MMA it's a lot less intimidating because it's not like you get one shot at a title every four years. You get a title shot every couple of months... With the Olympics, you don't always have this, so there is so much more pressure involved.
In MMA it’s a lot less intimidating because it’s not like you get one shot at a title every four years. You get a title shot every couple of months ... With the Olympics, you don’t always have this, so there is so much more pressure involved.
I feel like my strength is surrounding myself with people who have an ear for things, and then they play it for me. I'm always looking; my ear is always open.
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