A Quote by Richard King
Censorship of ideas or images or words is wrong.
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Chinese central government doesn't need to even lead public opinion: it just selectively stops censorship. In other words, just as censorship is a political tool, so is the absence of censorship.
It is a misuse of words if you say 'content censorship'. But no censorship does not mean there is no management.
I'm proposing to you that photography is a language on its own, which is that when you look at images you do derive ideas; and I'm also proposing to you that you can derive ideas without going through words. So I'm forcing you to really look. And this process of looking, it's like a new set of ideas that are being proposed to you.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
I was a book lover from the beginning. I loved, love, words and images and ideas, the ways a book can make you feel things deeply or help you understand something you never even knew there were words for.
We must find out what words are and how they function. They become images when written down, but images of words repeated in the mind and not of the image of the thing itself.
We do not see the danger clearly enough that we develop images adequate to our state of civilization. When you watch TV, you know instantly that there's something wrong with the images. When you open a magazine and see the ads, you know there's something wrong with the images. And it's unhealthy and not good and outright dangerous, in my opinion.
The chief problem with television is that, for those who watch it consistently, it undermines and eventually destroys the ability to think. This is because it communicates primarily images, not by words, and words are necessary if we are to perceive logical connections and make judgments as to what is right and wrong.
The greatest damage done by advertising is precisely that it incessantly demonstrates the prostitution of men and women who lend their intellects, their voices, their artistic skills to purposes in which they themselves do not believe, and that it teaches [in the words of Leo Marx] 'the essential meaninglessness of all creations of the mind: words, images, and ideas.'
The reverse process is extremely important to me - that artistic images can inspire to words and different myths, and that in certain cultures this process has been the normal relation between images and words.
We don't live in a culture of censorship, such as the Soviet Union's; we live in a culture where there is too much information, where words are drowned out, not banned, and important ideas and events are ignored.
I have a very specific definition of censorship. Censorship must be done by the government or it's not censorship.
Overall there may be less censorship in America than in China, but censorship and self-censorship are not only from political pressure, but also pressures from other places in a society.
In poetry, you must love the words, the ideas and the images and rhythms with all your capacity to love anything at all.
We tend to forget that words are, themselves, ideas. They might be called ideas in a state of suspended animation. When the words are mastered the ideas tend to come alive again.
Comics deal with two fundamental communicating devices: words and images. Admittedly this is an arbitrary separation. But, since in the modern world of communication they are treated as independent disciplines, it seems valid. Actually, the are derivatives of a single origin and in the skillful employment of words and images lies the expressive potential of the medium.
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