A Quote by Richard Linklater
A lot of Luis Bunuel's later, European films are all great.
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Luis Bunuel made great movies.
I think today there are too many directors taking themselves seriously; the only one capable of saying anything really new and interesting is Luis Bunuel. He's a very great director.
Retrospectively, I would agree with Luis Bunuel that sex without sin is like an egg without salt.
Luis Bunuel's two semishort surrealist hand grenades (cowritten in varying degrees with Salvador Dali) make a double bill that can restore your faith in the subversions of youth. Pure Spanish-Parisian piss and vinegar.
Yes, a lot of European cinema and a lot of independent films and art-house stuff. She is a photographer. She is a visual artist and photographer and my dad is, too. My mum, I must credit for showing me good films. With my career, my parents were great and though they were a little wary, maybe, of the acting ambitions they have always been supportive.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
How can we later criticise other countries outside the European Union for adopting such measures to repress opponents when we are tolerating this inside the European Union with European citizens? Like me - I'm a European citizen.
When I went to university, I finally got exposed to European films, and they had a strong impact on me. I felt those films had a lot of things to say that weren't getting expressed in the films I was used to seeing.
A few friends and me used to go and watch Bunuel, Carne, Cocteau... Cocteau and Bunuel were surrealism. And I was very excited by that. 'Un Chien Andalou', especially.
Fellini and Bunuel changed my life for me, they are my favourites. If it is true that movies are dreams, both of them, Fellini and Bunuel were shooting in a dream way.
Cinema builds memories; great films continue to exist in the spectator's mind. We are naturally capable of and prone to nostalgia. A spectator will reconstruct a film he or she has seen, years later, and may even change their original opinion. One critic, for example, once gave the finger to one of my films; later he wrote me to apologize.
I had begun my career with emotional films - Rajasthani film 'Bai Chali Sasariye.' Later I did several films as a heroine, and made the audience cry a lot. I even did action films, where I would play a dacoit or a police officer.
I'm not going to stop just because I'm 78. Bunuel made films into his eighties, and he could hardly see. I hope I don't run into that problem.
There are two major masterpieces that really brought the language of dreams or nightmares to the screen. The initial one is Dali and Bunuel's 'Un Chien Andalou,' and then later, David Lynch's 'Eraserhead.'
I like independent films... European films. I do go and see popular films as well because my kids force me.
It would be a dream to do a film with Pedro Almodovar and that whole crew of Spaniards. There's this Argentinian actor who's one of my favorite actors in the whole wide world. His name is Ricardo Darin, and he's a brilliant actor. He does a lot of Argentinian films, and I know he does a lot of European films, as a Spanish actor.
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