A Quote by Richard Linklater
I'm a huge Nagisa Oshima fan. He was one of the most radical Japanese directors to come up in the '60s.
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Playing Japanese characters and being in environments that are Japanese, like a character's apartment or whatever, if you have directors or art directors who just don't know what' s what with Japanese culture, then pretty soon something's just passed through. I've been through many times where I've pointed out the incorrectness of so much of what's been done to a set.
I have a lot of Japanese friends: I grew up in Vancouver, and there's this huge Japanese population over there.
Sometimes it irks when people come up in the street and say, 'Oh I'm a huge James Bond fan' - when you obviously want them to be a fan of your work in particular.
I'm a huge fan of Greta Gerwig, and working with her was also a dream come true. She was one of those directors who, when people asked me, 'Who do you wanna work with one day?' I'd say Greta Gerwig. I've always been a fan of mumblecore and her films, and so to work with her was just so much fun.
Growing up close to Detroit, my brother is a huge Red Wing fan, my dad was a huge Gordie fan.
I grew up as a huge comic fan and a huge Batman & Robin fan. I watched all the TV shows, went to all the movies - I even had the lunch box; man, I was in!
I'm a huge fan, and I didn't grow up with it, I didn't grow up reading 'X-Men' comics. I became a huge fan; I had somebody in my company who gave me the biographies of all the characters. I read Logan's first and was like, 'What a great, tragic character.' I just loved him.
I've said many times how big a wrestling fan I am, but all my bias aside as her husband, I'm a huge Candice LeRae fan. I was a huge Candice LeRae fan before we started dating. I was a huge Candice LeRae fan before we got married.
I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
It's not that writing staffs don't change at all, but they don't change very much. Directors are freelancers. There are directors who do five or 10 episodes of a show every year for years, but most directors are freelance, they come and go.
All roads seem to have come back to Doctor Who in our life. But, no, it was a huge part of my growing up. I was a massive fan and it certainly inspired me to get into acting and to be ... one of those people that tells stories on TV. That was a huge part of my childhood.
Japanese people wouldn't come up with ideas of blood splattering all over. Japanese focus more on the intricacies of the actions, the motion.
I am a huge sports fan. I grew up playing sports and I'm a huge [Arkansas] Razorbacks fan, but any sports personally.
The contemporary Japanese directors who are well-known in the West - say, Kiyoshi Kurosawa, Takeshi Kitano, Naomi Kawase - are mostly unknown to Japanese, particularly of the younger generation.
I was a super-duper Tupac fan, and I realized later, when I became a huge Nas fan and a huge Eminem fan, I was drawn to the storytellers. They all told stories in different ways, but they were all like the best storytellers.
I grew up in L.A., so I'm a huge Lakers fan and Kobe fan.
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