A Quote by Richard Linklater
I like films that just put you in someone's world. It can be very subversive. Hitchcock would put you in the mind of a psychopath, and you'd care about them.
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You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
The prosthetics were interesting because the artist was so good that they could just put a Hitchcock mask on me, but you don't want to do that. You're an actor playing Hitchcock, so it's about how much of that you're going to do.
When you had the World Trade Center go, people were put into planes that were friends, family, girlfriends, and they were put into planes and they were sent back, for the most part, to Saudi Arabia. I would be very, very firm with families. Frankly, that will make people think because they may not care much about their lives, but they do care, believe it or not, about their families' lives.
I had to first convince them [prostitutes] that I wasn't a journalist who would yet again put out a notion about them they wouldn't necessarily care for or who would victimize them. You know, journalists come and go. If they come twice, it's a lot. But I come 10 times and hang out with them and share stuff. If you connect with someone just once, that's something. But if you can connect twice, that's something else.
We are too feeble and sluggish to make our way out to the upper limit of the air. If someone could reach the summit, or put on wings and fly aloft, when he put up his head he would see the world above, just as fishes see our world when they put up their heads out of the sea; and if his nature were able to bear the sight, he would recognize that that is the true heaven.
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
I don't care about no boxing legacy. I don't care where they put me on the list of all-time greats - let them put me at the bottom.
I think that people are most comfortable when they can put you in a box - and that's very easy to do that when someone can put you in more serious roles. I'm not blaming them for that - it's just up to me to show people what I can do.
Mel Brooks is an interesting one because he started out making films about stuff that he was totally affectionate about, like musicals, westerns, horror films, Hitchcock films. And then, as they get further on, and you get to 'Spaceballs,' then it's just kind of contrived.
When I was 20, 21 years old, I had just got married. Put yourself in my wife's shoes. All of these fans all across the world would have Donny Osmond burning - record-burning parties. They would put my albums and burn them.
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
I care about actors, and I understand them in a very personal way. I'm not saying every writer has to do that, but in my case, it's been helpful. I can put myself into the scene and think, 'What would it be like to act this?' Any writer who's really good probably does that to some extent.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
I know musicians who think that drumming and guitaring can be very meditative, but singing is different because when you think about things, you put words to them. So I try to just stay present most of the time, I try not to let my mind wander and I also try not to clear my mind. I like to still have thought and be aware of people and whatever that's happening, but I also like to just focus on the words that I'm saying.
If one party is trusting, it is very easy during sex for the other party to format someone, to put thoughts in their mind, to jam their consciousness or attention, to lower their energy or just take power from them.
Once the script is done, I put it aside for a month. I start thinking of all the films that have influenced me, which I have liked for different reasons, and not necessarily the look, but films that have moved me. Some very strange films came to mind.
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