A Quote by Richard Linklater
When you have a film that's acclaimed, there's a tendency to go big or get serious or something, but I had an impulse to do the opposite.
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When you're battling against the minds of the studios and the money that can go into promoting larger budget films, it's very hard for a very small-budget Australian film to get a look in. You can get critically acclaimed and go to various film festivals around the world, but that doesn't necessarily mean the majority of people are going to hear about it.
After Porki,' I immediately got a film opposite Siddharth. Getting into Tollywood opposite a big hero and under a big banner was a big deal.
People have a tendency to do that - to go the polar opposite of what they've done before if they've felt like they've done something wrong.
I think the Baby Boom does have a tendency to get its nose in everything. The Greatest Generation had a better tendency to leave people alone. Of course, they also had a better tendency to hate everybody's guts.
I have a tendency when I feel myself getting stuck, my impulse is to go to my cupboard and find chips to eat.
If you get an impulse in a scene, no matter how wrong it seems, follow the impulse. It might be something and if it ain't - take two!
I've done a lot of independent film, which are short shoots that are usually four to six weeks, max. I enjoy everything. After one particular experience of work, I like to go in the opposite direction and do a short film, or something else.
After acting in a critically acclaimed film like 'Kaaka Muttai,' I didn't get any offers for more than a year.
Gardening is a kind of disease. It infects you, you cannot escape it. When you go visiting, your eyes rove about the garden; you interrupt the serious cocktail drinking because of an irresistible impulse to get up and pull a weed.
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy. It's very hard to go down there and make a film like 'Sideways,' which I thought was a great film. They don't want to make films like that anymore, even though that film was very successful.
I did work a lot in Scots theatre, but I was never really successful in Scottish film or TV until I went down to London - and I had to go to the U.S. to get my big break.
I think I had a tendency to get stuck inside my head and go to some very dark places in my mind, and get stuck there. I couldn't see a way to get out.
I've done a lot of serious roles, but they're, like, independent, so it's harder for them to come out. The big ones have been comedies, but I would love to get a big drama to let people see the other side of me, that I am a serious actress.
You do the one film that you think is terrible, but it's a big studio film and you hope you'll get another job because of it, because blah blah blah, whatever it is. You know that you hate it, you just couldn't care less if it got made because it's not something in a million years you'd go and see yourself. And it ends up being shite and you just knew it was shite to begin with, and it doesn't do you any favors at all if someone thought you were in another shite film. So I decided it doesn't get me anywhere being cynical. It's not that I want to be.
'Singham' was one-and-a-half stars all over, and it was one of the biggest hits of my career. It gave me so much respect. People think if it's not critically acclaimed, you won't get respect. But that's not true. Even if you get one star, your film will do well if the audience wants to see it.
A man will not roll in the snow for a stream of tendency by which all things fulfill the law of their being. He will not go without food in the name of something, not ourselves, that makes for righteousness. He will do things like this, or pretty nearly like this, under quite a different impulse. He will do these things when he is in love.
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