A Quote by Richard Overy
Goering was a contradictory [and] complex ... character.
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As human beings, of course, we're all compromised and complex and contradictory and if a screenplay can express those contradictions within a character and if there's room for me to express them, that's a part I'd love to play, so much more than a character who is heroic and one-dimensional.
I think my relationship with life has changed - I want to make more complex images than before. Complex in the sense that I try to put in a lot of information, sometimes contradictory information.
I love the character of Jaime Lannister. He's just so complex - a character that we love to hate - but it's a lot more complex than hatred. It starts off, and he seems so arrogant and so smug.
Each building has to be beautiful, but cheap and fast, but it lasts forever. That is already an incredible battery of seemingly contradictory demands. So yes, I'm definitely perhaps contradictory person, but I operate in very contradictory times.
Real people are complex, contradictory, and have their own motivations - they can't just be mouthpieces for the writers' point of view.
Trouble comes not because we have taken any wrong step but because we are in a complex and contradictory world.
Literature is about being a complex, contradictory human being.
'Iron Man' was this fun, poppy thing bound to make a zillion dollars. And we were the other side of a superhero movie. More complex with The Hulk being this complex character - that's what it was.
By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration but our reconsideration.
I think it is optimistic and positive - it's quite contradictory in that sense - from the lyrics. Until you actually read them, maybe they can seem contradictory.
The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
I think the best way to become a character is by osmosis as opposed to thinking directly about stuff. The more material that you have and understand and have a going in, then the more complex your character and the understanding of your character will be.
A name can't begin to encompass the sum of all her parts. But that's the magic of names, isn't it? That the complex, contradictory individuals we are can be called up complete and whole in another mind through the simple sorcery of a name.
You have to kind of lose yourself and not think about just how brave Mulan is. Yes, I am playing a hero, so we need to bring out that side, but I think every human being is complex, and complex is so beautiful. And that's where the energy of the character is.
I like playing complex, interesting characters. Sometimes I don't think there's much of a strong line between right and wrong for a character. Every character is somewhere on a moral spectrum.
In novels you're able to occupy character's internal thoughts and it's really hard to do in a film or a TV show. When you're reading a character's thoughts or when it's in first person, you're reading kind of their own story, so you have the opportunity to see what makes that character complex or complicated. And to me that's what the whole point of fiction is.
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