A Quote by Richard Patrick
I'm on this planet for another forty years at the most and I got a baby and a wife and I'm worried about their future and that kind of fear, that anger is spilling into my lyrics, I can't just sit back and talk about myself until I'm dead.
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I've been on the planet for 40 years now, and I'm still none the wiser as to what it's all about really. I've never worried about life's big questions. People at my age sit about pondering, 'Why are we here?' The only time I ever asked myself that is when Suzanne booked us a surprise holiday to Lanzarote.
I'm not a 'real rapper'; I just like to talk about what I've been through. When I was younger, I just said random, stupid lyrics and censored myself because I was worried about what people would think. But now I've become more mature with my words and uncensored.
You say you're worried about kids? I'm not worried about kids, I'm worried about grown ups... Children are not the problem here... We spend the first year of their lives teaching them how to walk and talk, and the rest of their lives telling them to shut up and sit down.
I've always said if I came up with a story that wasn't fear based that I was passionate about, that I would explore it. It's just that for as long as I can remember when I sit down in front of a piece of paper it's usually something scary in my head that I end up spilling out. So until that changes, yeah I love the genre and really believe in it.
If your kitchen table is like mine, you sit there at night before you put the kids to bed and you talk about what you need. You talk about how much you are worried about being able to pay the bills. Ladies and gentlemen, that is not a worry John McCain has to worry about. It's a pretty hard experience. He'll have to figure out which of the seven kitchen tables to sit at.
I'm not worried about the country's long-term future. This country is insanely great. What I'm worried about is that we don't talk enough about solutions.
People used to talk about my lyrical content and not about my music, and to be honest, I think I have got lazy with my lyrics over the years.
After my second-to-last record, 'The Greatest', I had gone on tour for a while, and I didn't play an instrument for about five years. And I got kind of - it's not self-esteem or whatever, or anger toward myself - but disappointed in myself that I hadn't been challenging myself to learn musically.
A baby was a fact. It was a being with a mind and a nature, and you could feel about it any way you liked, but a baby wouldn't care. Just by existing, it demanded that you believe in a future: the future it would crawl in, walk in, live in. A baby was a piece of time; it was a promise you made that the world made back to you.
If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.
I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
I'm more honest in my lyrics than I am in anything else. It's where I feel the most safe to express myself. I write about growing up, my family, Maddie and getting pregnant. If I've lived it, why wouldn't I talk about it? I guess that's been the coolest thing - realizing that it's OK to just be myself and really tell my story.
After my second-to-last record called "The Greatest," I had gone on tour for a while and I didn't play an instrument for about five years. And I got kind of - it's not self-esteem or whatever, not anger towards myself - but disappointed in myself that I hadn't been challenging myself to learn musically.
There is this thing called the university, and everybody goes there now. And there are these things called teachers who make students read this book with good ideas or that book with good ideas until that's where we get our ideas. We don't think them; we read them in books. I like Utopian talk, speculation about what our planet should be, anger about what our planet is. I think writers are the most important members of society, not just potentially but actually. Good writers must have and stand by their own ideas.
I might sound like a crazy person, but that's the way I pump myself up. You know how some people are just like 'I have to talk about it'? Sometimes I'll call my husband and we'll talk about it, sometimes I have to talk to myself in the mirror. So I start talking to myself: 'You got this. Don't think of this as Sports Illustrated, just think about this as the best swimsuit campaign you've done in your life. And just kill it and own it and don't put that pressure on yourself.'
We can sit here and talk about all the negativity, which we've done a little bit, but for every act of evil in the world, there are a million acts of kindness. Basically, our nature is to love each other and care about each other, and most of us do that. Most of us have no quarrel with anybody who's living on another side of the planet and who might have a different religious persuasion. It's just these small minorities to the far right and the far left who get all of the news time and print space.
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