A Quote by Richard Press

I first started making films - this is my first feature, but I was making shorts - I was actually freelancing as a day job at The New York Times as an art director. I actually worked with Bill Cunningham and really soon after I met him, I thought, "Oh my God, he's a perfect subject for a documentary."
I just know that making 'Beast' was an amazing experience. It was my first feature, it was the director's first feature, and every day, you're just trying to do good work and learn.
Whenever I'm making a feature film, I wish I were filming a documentary, because making feature films is so stressful. It happens every time.
Producing is making films without having to work sometimes. It's still making films, but it's a different job. When you're the director, you kinda do all the work. I'm actually going tonight to check the prints of my movie even though the premiere's tomorrow night.
I started making little films with a 16 mm camera as an undergraduate at Yale. My first job out of college was 'assistant editor' on a forgettable low budget feature.
One of the first times I wrote about Robin Williams for 'The New York Times,' I interviewed him for a feature about 'World's Greatest Dad,' a dark comedy he starred in for his friend, the writer-director Bobcat Goldthwait.
Actually, I started to become an actress because I met someone who was just a friend and I found his life wonderful, I thought, Oh my god, you can travel, you're free, you can do what you want, you're the boss. And then I met an actor and I was in love with him.
I made a vow to God [in 2010], after so many letdowns and the relationship with my ex, I knew I really didn't want to continue making the same mistakes anymore. Women nowadays, we connect physically too soon without actually getting to know the person. If you don't actually give this person your body and then they let you down, there really isn't a great disappointment; not like it would be if you have already connected physically. I started going on that journey, and I thought to myself, you know what, the next man that I give my body to will be the man that God brought into my life.
I fell in love with movies as a kid. I had been making shorts and making TV and making commercials and it's such a difficult, weird process of trying to wing your first feature, especially if you're not going to go and just have a Kickstarter and do it on your own.
Making your first feature film is actually impossible.
Some of George W. Bush's friends say that Bush believes God called him to be president during these times of trial. But God told me that He/She/It had actually chosen Al Gore by making sure that Gore won the popular vote and, God thought, the Electoral College. 'That worked for everyone else,' God said.
I made a lot of short films before making a feature film. Actually, I learnt film-making by making short films.
I don't think any other city actually has anyone who has actually documented the way they have lived or documented the city themselves. If you want to look at New York in the last half of the 20th century, into the 21st, you would look at Bill Cunningham's archives.
I think making shorts is really about giving yourself the opportunity to learn what your strengths and weaknesses are. That's really important to know before getting to your first feature. In many ways you can't afford to make too many mistakes while on that feature.
I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.
When I first went to New York, I didn't really go out to clubs. It was the height of Culture Club so I didn't really have a social life. It was only after I had been to New York a few times that I started going out.
After a couple of attempts at making shorts, I decided to make a feature film with a friend, Tom Hall, whom I've worked with ever since.
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