A Quote by Richard Sibbes
Death is only a grim porter to let us into a stately palace.
Related Quotes
Death is not the master of the house, he is only the porter of the king's lodge.
Nobody is trying to avoid Shawn Porter. Look at all the named fighters that fought Shawn Porter, because nobody is avoiding Shawn Porter. Nobody is scared of Shawn Porter. Shawn Porter can beat you. He's tough, durable and comes to win but nobody's scared.
Death by violence, death by cold, death by starvation - they are the normal endings of the stately creatures of the wilderness. The sentimentalists who prattle about the peaceful life of nature do not realize its utter mercilessness.
The Grim Reaper, Gloria corrected herself - if anyone deserved capital letters it was surely Death. Gloria would rather like to be the Grim Reaper. She wouldn't necessarily be grim, she suspected she would be quite cheerful (Come along now, don't make such a fuss).
Marriage is a call to die [to self]... Christian marriage vows are the inception of a lifelong practice of death, of giving over not only all you have, but all you are. Is this a grim gallows call? Not at all! It is no more grim than dying to self and following Christ. In fact, those who lovingly die for their [spouses] are those who know the most joy, have the most fulfilling marriages, and experience the most love.
To begin depriving death of its greatest advantage over us, let us adopt a way clean contrary to that common one; let us deprive death of its strangeness, let us frequent it, let us get used to it; let us have nothing more often in mind than death... We do not know where death awaits us: so let us wait for it everywhere." "To practice death is to practice freedom. A man who has learned how to die has unlearned how to be a slave.
Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.
I've done a lot of death cartoons - tombstones, Grim Reaper, illness, obituaries... I'm not great at analyzing things, but my guess is that maybe the only relief from the terror of being alive is jokes.
The Indian who was laid under a curse, that the wind should not blow on him, nor water flow to him, nor fire burn him, is a type of us all. The dearest events are summer-rain, and we the Para coats that shed every drop. Nothing is left us now but death. We look to that with a grim satisfaction, saying, there at least is reality that will not dodge us.
There is an essential difference between the decease of the godly and the death of the ungodly. Death comes to the ungodly man as a penal infliction, but to the righteous as a summons to his Father's palace. To the sinner it is an execution, to the saint an undressing from his sins and infirmities. Death to the wicked is the King of terrors. Death to the saint is the end of terrors, the commencement of glory.
The first thing I would like to tell you about death is that there is no bigger lie than death. And yet, death appears to be true. It not only appears to be true but also seems like the cardinal truth of life - it appears as if the whole of life is surrounded by death. Whether we forget about it, or become oblivious to it, everywhere death remains close to us. Death is even closer to us than our own shadow.
The meanest hut with love in it is a palace fit for the gods, and a palace without love is a den only fit for wild beasts.
Jesus' death wasn't to free us from dying, but to free us from the fear of death. Jesus came to liberate us so that we could die up front and then live. Jesus Christ wants to take us to places where only dead men and women can go.
What excites and interests the looker-on at life, what the romances and the statues celebrate, and the grim civic monuments remind us of, is the everlasting battle of the powers of light with those of darkness; with heroism reduced to its bare chance, yet ever and anon snatching victory from the jaws of death.
Net-a-Porter offers catwalk fashion and trend-driven shopping, but for Mr Porter, while fashion is still important, style is key.
Diana and I had a very good relationship with no personal problems. The only problem we did have was with the media, and the only place we could have any real privacy was at Kensington Palace, as they could not get to us there.
