A Quote by Richard Tarnas
Ours is an age between worldviews, creative yet disoriented, a transitional era when the old cultural vision no longer holds and the new has not yet constellated. Yet we are not without signs of what the new might look like
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It looks like the age of the mass is behind us and the age of the individual is upon us. The chasm that now exists between new people and old organizations is destroying economic value and inhibiting the emergence of a new chapter of capitalism aligned with the needs of this new society. The new purpose of commerce is to provide the tools, platforms, and relationships, digital or human, that enable individuals to live the lives they choose.
If there is any period one would desire to be born in, is it not the age of Revolution; when the old and the new stand side by side, and admit of being compared; when the energies of all men are searched by fear and by hope; when the historic glories of the old can be compensated by the rich possibilities of the new era?
Whoever lives for poetry must read everything. How often has the light of a new idea sprung for me from a simple brochure! When one allows himself to be animated by new images, he discovers iridescence in the images of old books. Poetic ages unite in a living memory. The new age awakens the old. The old age comes to live again in the new. Poetry is never as unified as when it diversifies.
Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism's high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
It's a scary question for a musician or songwriter today - what does the future hold? It is a strange time in the music business too; it feels like we are all in some kind of transitional period, stuck between old technology and new.
Teaching is enormously satisfying because I'm constantly learning more. Just constantly being exposed to new voices and new life experiences and new worldviews and new structural dilemmas and new characters - it's really exciting for me.
It is better to be early than too late in recognizing the passing of one era, the waning of old investment favorites and the advent of a new era affording new opportunities for the investor.
We are continuously living a new life, and when the old and the new do not fit nicely together, the old - no longer able to contain the new - should be discarded.
We are beginning to see practical support. And this is a very significant sign of the movement towards a new era, a new age.... We see both in our country and elsewhere... ghosts of the old thinking.... When we rid ourselves of their presence, we will be better able to move toward a new world order...relying on the relevent mechanisms of the United Nations.
We who have lived before railways were made belong to another world. It was only yesterday, but what a gulf between now and then! Then was the old world. Stage-coaches, more or less swift, riding-horses, pack-horses, highwaymen, knights in armor, Norman invaders, Roman legions, Druids, Ancient Britons painted blue, and so forth -- all these belong to the old period. But your railroad starts the new era, and we of a certain age belong to the new time and the old one. We who lived before railways, and survive out of the ancient world, are like Father Noah and his family out of the Ark.
Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.
The Guide sang:
The new age, the new art, the new ethic and thought,
And fools crying,
Because it has begun It will continue as it has begun!
The wheel runs fast, therefore the wheel will run
Faster for ever,
The old age is done,
We have new lights and see without the sun.
(Though they lay flat the mountains and dry up the sea,
Wilt thou yet change, as though God were a god?)
The New Age movement looks like a mixed bag. I see much in it that seems good: It's optimistic; it's enthusiastic; it has the capacity for belief. On the debit side, I think one needs to distinguish between belief and credulity. How deep does New Age go? Has it come to terms with radical evil? More, I am not sure how much social conscience there is in New Age thinking.
Action sports is just in a new era: thinking outside the box, being creative, and inventing new things. I just think people dig that. It's a new way of being an athlete.
We are born one time only, we can never start a new life equipped with the experience we've gained from the previous one. We leave childhood without knowing what youth is, we marry without knowing what it is to be married, and even when we enter old age, we don't know what it is we're heading for: the old are innocent children innocent of thier old age. In that sense, man's world is the planet of inexperience.
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