A Quote by Richard Tarnas
Above all, we must awaken to and overcome the great hidden anthropocentric projection that has virtually defined the modern mind: the pervasive projection of soullessness onto the cosmos by the modern self's own will to power.
Related Quotes
My responsibility is simply being who I am and not buying into any projection as real. No projection is finally real, but projection does play a very important role.
What we're seeing "out there" is the projection of where we're at--the projection of the clingings of our minds.
Our world does not exist from its own side--like a dream world, it is a mere appearance to our mind. In dreams we can see and touch our dream world, but when we wake up we realize that it is simply a projection of our mind and had no existence outside our mind. In the same way, the world we see when we are awake is simply a projection of our mind and has no existence outside our mind.
The person one loves never really exists, but is a projection focused through the lens of the mind onto whatever screen it fits with least distortion.
A modern mathematical proof is not very different from a modern machine, or a modern test setup: the simple fundamental principles are hidden and almost invisible under a mass of technical details.
I'm an adult and I know what power means in the modern world. In the modern world, power is mainly defined by such factors as the economy, defence and cultural influence. I believe that in terms of defence, Russia is without any doubt one of the leaders because we are a nuclear power and our nuclear weapons are perhaps the best in the world.
Burzum is a projection of me or, at the very least, a projection of a side of me, but you can, of course, view Burzum and Varg as separate entities, as you surely can like the first and dislike the other, or vice versa for that sake, but to me, my music will always be a natural part of me.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
The stability of modern governments above the ancient, and the accuracy of modern philosophy, have improved, and probably will still improve, by similar gradations.
Childhood has been idealised as a lost garden paradise to which we can never return. We are excluded from this world of carelessness, innocence and unity. But the imaginary kingdom is nothing more than a projection of adult ideas and concerns onto the image, an expression of our own yearnings. By photographing children alone, divorced from any social setting, I allow them to exist on their own...I am exploring the equivocal connection between self and world.
The past is discredited because it is not modern. Not to be modern is the great sin. So, perhaps, it is. But every one has, in his day, been modern. And surely even modernity is a poor thing beside immortality. Since we must all die, is it not perhaps better to be a dead lion than a living dog?
We do like digital projection. We like shooting on film, finishing digitally, and projection digitally. That's what I like best. It's still a movie. It's not someone's camcorder and it got projected. That's mean, I know.
The world cannot hold onto you, for the world is not sentient. The world doesn't have a mind nor does it have desires; it is only your mind's objectivisation. It is your own mind's play which imagines that an object-call it the mind or whatever-can hold onto you. It is the idea you have of who you are that is holding onto its own fearful projections as the mind. Leave all of this and remain as the pure, joyous Self.
The best political, social, and spiritual work we can do is to withdraw the projection of our shadow onto others.
Are modern children going to revolt against being modern, and if so, what form will reaction of modern parents take?
Religion and anger has gone together a lot, historically. My father, being very religious and angry, was trying to reconcile the ideas of love and forgiveness with damage in his own heart. We historically create God in the image of someone who will redeem us, or someone who has damaged us. A lot of my imaginations of God was a projection of my own damage because of my father. God is good but he has a lot of expectations, of which I have failed -- just like my dad. But I don't think it's truthful to create God as a projection of either our damage or our altruism.
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