A Quote by Rick Famuyiwa
I felt like I was Ferris Bueller. I wanted to be those kids in 'The Breakfast Club.'
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I'm a child of the '80s, so like everyone else, I love all those classic, formative movies - 'Ferris Bueller's Day Off,' 'Pretty in Pink,' 'Sixteen Candles,' 'Dirty Dancing,' etc., with 'St. Elmo's Fire' and 'The Breakfast Club' existing on a separate, slightly higher plane.
I was a terrible actor. But John Hughes liked me, and he encouraged me. I made him laugh, I guess is the bottom line, and then he gave me that part in Ferris Bueller's Day Off as the flower man. It's just a nothing part in one sense, but it's such an iconic movie that people will ask me from time to time, "Are you in Ferris Bueller's Day Off?" "Yeah."
I don't know that I could ever really pull off Ferris Bueller because that was done in such an iconic way already.
When I did 'Ferris Bueller's Day Off', I had the idea on Monday and the following Tuesday it was in budget at Paramount. I couldn't walk.
But, on another level it's really sort of this really cool coming of age story, it reminds me of like The Breakfast Club or something like that, if I can be so bold to associate with The Breakfast Club.
The Republican Party is the party of Eddie Haskell and the principal from Ferris Bueller's Day Off.
People think that direct address was invented by Ferris Bueller, but in fact, it wasn't. It was invented by Shakespeare.
My favorite TV show ever is 'Boy Meets World,' and my favorite movie is 'Ferris Bueller's Day Off.'
I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
I never felt like I wanted to have kids until I could be home and be a daddy, and those are the things that I didn't have.
I think I heard it [ Ferris Bueller's Day Off ] earlier. This was being played on a station in San Francisco called Live 105, which was a new wave station. It was one of the first stations to change its format in the early '80s. There was this wave of really strange music coming from Europe like Kraftwork and Freur.
There are constant challenges about what's 'mainstream.' These kids in 'Dope' are as mainstream as the kids in 'Superbad' or 'The Breakfast Club.'
'Party Up' is like 'Ferris Bueller's Day Off' crossed with 'House Party.' It's basically about this kid, my character, who's this smooth, intelligent kid who's petitioning to throw this big end-of-the-year-bash house party, and so he goes and manipulating different people and ruining lives. He somewhat has a selfish heart, but he's a nice guy.
Ferris: Are you going to be as impractical as that? Rearden: The evaluation of an action as practical, Dr. Ferris, depends on what it is that one wishes to practice. Ferris: Haven't you always placed your self-interest above all else? Rearden: That is what I am doing right now.
The fun of the game is right now. A lot of people don't really realize that. They think you have to get to the top to start having fun, and it's not. It's the journey getting to the top where everything is always great. I'm on the 'Ferris Bueller' thing where I look around every once in a while so I don't miss it.
On 'Dawson's Creek,' those kids were supposed to be outsider kids - you know, wrong-side-of-the-track kids, weirdo kids. And I just felt like there's no universe out there where Katie Holmes isn't the prom queen, hottest girl in school.
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