A Quote by Rick Famuyiwa
'The Wood' was sort of like 'American Graffiti' for me in a lot of different ways.
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My graffiti really comes more from a May '68, sort of Situationist vibe than the hip-hop world. I think a real graffiti artist would find me a poser.
Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you.
There are a lot of different ways of getting Mexico to contribute to doing this. And there are different ways of defining how exactly they pay for it. [Donald Trump] has a promise that he made to the American people which is to secure our border. A wall is a big part of that.
Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love being in popular culture and existing in the evolution of popular culture. But it's so different from painting, and it's so different from that sort of slow, contemplative, gradual process that painting is.
There were a lot of challenges I had to face on 'American Idol' that helped me grow in a few different ways that I'll take forever with my career.
I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.
I'm free to see things objectively because I don't consider myself American, and I don't consider myself British or Indian. I'm kind of an amalgam or mongrel of a lot of different places and experiences. In a lot of ways it's been a good thing for me. It's enabled me to do what I do on 'The Daily Show.'
Graffiti is art, but you don't see graffiti in the National Gallery. Graffiti is on the street - that's where it belongs.
For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.
I'm first generation American, and my parents were both from Nigeria. And so I always say that I'm literally an African American. So my last name is Famuyiwa, it's different. And so that was a part of my experience from people not being able to pronounce it to not sort of having sort of a shared, common history with a lot of the kids that I was growing up with because my parents were from Africa.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
I'm incredibly hopeful - in many ways, still very naive. I think a lot of that has helped me. My sort of naivete has sort of gotten me in trouble at times, but I haven't stopped myself from doing things.
I like to be a lot of different things at once and dress different ways and I change my hair all the time, so being an actor lets me live out the fantasy of living out 100,000 different lifetimes in one, without all of the repercussions.
I did have quite a different upbringing to a lot of my peers. We all have a sort of code that we get, especially as Beatles kids. It's an unspoken sort of word of understanding. But I'm comfortable around a lot of different types of people.
As part of the process, there are a lot of different ways to evaluate players. There are a number of different companies and things out there that do different things; that have different ways of evaluating and those types of tests and so forth.
My grandfather always told me, 'You know you're American first, but you're a Greek-American, which makes you a better American.' It sounds sort of old-world and very sweet, but what he meant was that you should embrace those things that are most special and different about you.
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