A Quote by Rick Famuyiwa
People come to L.A. and they expect to see a ghetto like the projects, but that's not the way it's set up. Inglewood, in particular, is the furthest thing from a ghetto. It's a middle-class community, but it's gotten a bad rap over the years... because of 'Grand Canyon' and 'Pulp Fiction' and other films.
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I went to this arts high school in Greenville, S.C. In speech class, the teacher, a white man, would say, 'You're talking ghetto. Don't talk ghetto.' I'm not only offended, but I'm confused because while there's nothing wrong with people who come from the projects or the ghetto, that's actually not my experience.
I don't like the way people cherish the ghetto, as if it’s some royal palace, or kingdom. I also don't like the way people treat each other in the ghetto. It is really hard to find love, trust, and respect. You don't find too many people that want to do better for themselves in the ghetto because so many people seem to be satisfied with where they're at.
This whole urban rap thing needs to be pulled back some. The ghetto is being glorified, and there's nothing good about the ghetto except getting out of one.
Genre fiction was looked at as a ghetto, but I wonder now if realist fiction, sealing itself off in the glum suburbs of a dysfunctional society, denying the use of imagination, was the ghetto.
If the Negro in the ghetto must eternally be fed by the hand that pushes him into the ghetto, he will never become strong enough to get out of the ghetto.
I try to use my experience and the fact that I grew up in the ghetto - I tell people you don't have to rob or steal to get out of the ghetto.
I think 'The Wood' was probably more concerned with the parts of Inglewood that aren't usually seen on film - the areas that were middle-class, or upper-middle-class - and that idea that these worlds do exist, and should be accepted as part of Inglewood itself.
You leap over the wall of one ghetto and find yourself in another ghetto.
As hard as it is, as ghetto as it is, hip-hop is pop music. It's the sound of music getting out of the ghetto, while rock is looking for a ghetto.
But I think people, especially white people, have to come to understand that the language of the ghetto is a language of its own, and as the party - whose members for the most part come from the ghetto - seeks to talk to the people, it must speak the people's language.
If I grew up, you know, in the ghetto, like, and I wasn't taught any other way to talk or a way to act or other food to eat or just like anything like that, like, when I'm I supposed to do? You know, like, is there a class I'm supposed to take to learn how to be white, you know?
It's true, we grew up in a ghetto. To us it wasn't too bad, but the police brutality was like that. You see three or four black kids hanging out, they pull you over, jackin' you, makin' you get down on the ground.
If you live in a ghetto and really want not to just change your life and your family's life but change your ghetto's life, make your ghetto a good neighborhood, learn science; try to be like Mark Zuckerberg, Bill Gates and Steve Jobs.
If you live in a ghetto and really want not to just change your life and your family's life but change your ghetto's life, make your ghetto a good neighbourhood, learn science; try to be like Mark Zuckerberg, Bill Gates and Steve Jobs.
You see, I was born in the slums, that was before the ghetto. The ghetto was kind of refined; the slums was right there on the ground.
The church of Jesus needs to wake up from the exile of passivity and embrace liminality and adventure or continue to remain a religious ghetto for culturally co-opted, fearful, middle-class folk.
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