A Quote by Rick Famuyiwa

As a kid who grew up in Inglewood, California during the Showtime era, I'm so happy to help bring the story of Earvin 'Magic' Johnson to the screen. This project is a convergence of so many things that excite and interest me as a filmmaker.
I'm a California girl. I grew up in Inglewood right by LAX.
I loved basketball and grew up with the Lakers and Magic Johnson. That was a big part of me.
I was a very lucky kid, because I grew up affluent Santa Barbara, California. My experience as a child was probably so different from people I met later who grew up in the rural South, where many doors were closed to them.
I grew up in California. I was outside of the city, not directly in it. So I did have an experience of the sky, but for me, it was the idea of space exploration that fueled my interest. I grew up in that age of the astronauts, and I was fascinated that we could leave the Earth.
I grew up as this very carefree, happy kid then things turned darker for me. Maybe it was because I saw that the world wasn't as happy a place as I had hoped it would be for me.
So many people grew up with challenges, as I did. There weren't always happy things happening to me or around me. But when you look at the core of goodness within yourself - at the optimism and hope - you realize it comes from the environment you grew up in.
I grew up in the '80s in L.A., so Ice Cube and Magic Johnson are my heroes.
To make magic credible on screen is always very difficult. The story is the most important thing. That is what should win. If sacrifices or compromises are made, it's usually for story. Story in magic is very, very important to me. That's what I've really championed through my career.
I don't think nostalgia is very useful to me. There is a story to be told, there's behaviour to create or to bring to the screen that will help tell that story, and nostalgia is just not really a big part of my emotional package.
To me, it's about good work, a good story, and tastefully done. There's so many stigmas - oh, you're on the small screen or you do films or you do reality. It's about the project and not the medium on which it's delivered. It's the story you tell, period.
I grew up in Inglewood, L.A., and South Central. I was always humbled by my situation. I would go on set and come home to my neighborhood and my block to my friends, and it would be a whole other story.
My mum always reminds me to trust my instincts. If a project doesn't feel right and doesn't excite me, it's likely it won't help me to get to where I want to be.
When we bring the filmmaker, we bring somebody to help us elevate the material with those things, to help us do something different with all of those resources at their disposal.
The first 'Star Wars' film was enormously important. I grew up right smack-bang in the sweet spot of all of those. It's true cinema magic. It's fair to say that, as a kid, I would have been very happy to be Han Solo, and I would have been happy to have gone out with Princess Leia.
Amanda [Bynes] and I are the same age so I grew up watching her and really looking up to her and for me, to see this path that's happening and to watch it, is kind of really affecting me in ways that I didn't think it would. It's weird to be in a situation where you can't help. I obviously don't know her at all but I want to bring her back and I want to make her happy and healthy for some reason and she's not there and we can't do anything to help so it kind of sucks. All we're doing is hurting it.
Usually I bring very attractive women with me to excite interest. I mean, it's a type of, like, strangers-with-candy situation.
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