A Quote by Rick Famuyiwa
I want 'Flash' to reflect the world we live in.
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This is the whole secret of non-attachment: live in the world, but don't be of the world. Love people, but don't create attachments. Reflect people, reflect the beauties of the world - and there are so many. But don't cling. The clinging mind loses its mirrorhood. And mirrorhood is Buddhahood. To keep that quality of mirroring continuously fresh is to remain young, is to remain pure, is to remain innocent. Know, but don't create knowledge. Love, but don't create desire. Live, live beautifully, live utterly, abandon yourself in the moment. But don't look back. This is the art of non-attachment.
If you want to live in Tennessee, God bless you, I wish for you a long life and starry evenings. But that is not where I want to live my life. I want to live my life in Carthage, in Athens. I want to live my life in Rome. I want to live my life in the center of the world. I want to live my life in Los Angeles.
I've always tried to be very seductive. I want the paintings to draw you in. But I don't want to just glamour you. I want to make an image of the time we live in and reflect it back.
We have to reflect the world that we live in.
Flash is about freedom; Flash is about expression. Flash is about just the joy of exuberant running and of freedom, and the moment you weight him down with too much Batman-like baggage... that's not the Flash anymore.
I write diverse books because the world we live in is diverse, and I want my books to reflect that truth.
We live in a world that pays attention to speed, volume, and flash. Subtlety has its own power in relation to that.
I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
We've never slammed people over the head or made 'The Flash' an after-school special. With us, it's always been presenting the world in which we live. The world in which we live, men and women work together; different races work together, and you have gay friends, and people have relationships. We just try to show that.
For me, as a believer, I found myself in between two worlds because I live in this world, this fallen world, and I want to glorify God here, and I want to point to Jesus here, I want to work here and live with my wife here, but I also look forward to the recreation of this world when the Lord Jesus comes back and makes all things new.
My first reaction was that the adult world was fake and liars and basically worked for money and power. I didn't want to live in that world, so I spent a year, aged 17 to 18, trying to kill myself. I didn't want to live in a world of violence and injustice.
We live in a big and marvelously varied world. Television ought to reflect that.
The world in which we live is diverse, and I think television and film should reflect that.
Each budgets reflect our priorities, reflect our principles, reflect our vision. We believe in balancing the budget. We believe in getting government to live within its means. We believe in pro-growth economic policies, energy exploration, fixing our entitlements before they go bankrupt.
Give me lust, baby. Flash. Give me malice. Flash. Give me detached existentialist ennui. Flash. Give me rampant intellectualism as a coping mechanism. Flash.
We live in a flash of light; evening comes and it is night forever. It's only a flash and we waste it. We waste it with our anxiety, our worries, our concerns, our burdens.
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