A Quote by Rick Famuyiwa
When I wrote 'High Stakes,' I followed the classical format. I wrote an outline first, then a first draft, then got feedback and rewrote and rewrote it. I'd never done that before.
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I quarreled with every word, every phrase and expression, every image and letter as if they were the last I was ever going to write. I wrote and rewrote every line as if my life depended on it, and then rewrote it again.
I wrote the first draft of my first novel at Michigan, and then I wrote the first draft of 'Salvage the Bones' at Stanford. So I workshopped the entire thing.
I finished my first novel - it was around 300 pages long - when I was 16. Wrote one more before I got out of high school, then wrote the first Lincoln Perry novel when I was 19. It didn't sell, but I liked the character and I knew the world so I tried what was, in my mind, a sequel. Wrote that when I was 20, and that one made it.
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
I don't think I wrote my first song until I was 25. And then everything I wrote ended up becoming my first album. I put my music online, and from that, things just happened.
When I sat down and wrote the first paragraph, I was like, 'Oh, I can go with this.' I didn't do an outline. I didn't do anything. I just wrote sentence by sentence, not knowing where the story was going.
Before we started writing we did feel pressure because of the success of the first record. One of the first songs that we wrote was "Out Of My Heart" which is the first single. As soon as we wrote that, we knew we just set the standard and every other song had to be as good if not better.
Suzanne [Collins] was very involved in the development of the script. She wrote the first draft. She was very involved with Billy Ray, when he wrote his draft.
I wrote a play before that and it never saw the light of day. And then I started working on this play and it came out really quickly. Eventually I got it, and I wrote a letter to Sarah Jessica Parker and she wanted to do it. So that's how it happened.
I wrote my first books when I was single and then I got married and then had a kid and there were different things happening in my life.
I write in a journal first, briefly. Then read something I've read many times before, for about half an hour, then rework what I wrote the day before.
For the first few years I wrote jokes and performed them word for word and then wrote tags for them and did that word for word and that worked pretty well. Now, I do almost all of my writing on stage and then record and listen for any new things and then I write those down.
I wrote before I could write. I got my hands on a journal, maybe a hand-me-down; I had three older siblings. My first entries are in the handwriting of the sister closets in age (5 years my senior). She must have gotten tired of my dictations because she gave up and then my blocky scrawl shows up. I wrote plays as a kid mostly.
The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.
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