A Quote by Rick Perlstein
Conservatism is, among many other things, a culture. The most important glue binding it together is a shared sense of cultural grievance - the conviction, uniting conservatives high and low, theocratic and plutocratic, neocon and paleocon, that someone, somewhere is looking down their noses at them with a condescending sneer.
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Magic is a faculty of wonderful virtue, full of most high mysteries, containing the most profound contemplation of most secret things, together with the nature, power, quality, substance and virtues thereof, as also the knowledge of whole Nature, and it doth instruct us concerning the differing and agreement of things amongst themselves, whence it produceth its wonderful effects, by uniting the virtues of things through the application of them one to the other.
There are so many things I love about he. She's still a small town girl at heart. The most important thing to Cindy is her family and making sure that we're all happy. She's so low-key despite her high-profile position. She's someone who constantly gives back, who does so many things for so many people without asking for anything in return.
I think of art as a glue, a cultural and social glue. It's one of the means that has served to show us the things we believe in and the things we celebrate; it has served to reinforce our relationship to each other.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
I favor massive civil disobedience, among other things. It is not the only thing that is used to protest any grievance in society. But it is one of the most effective under certain conditions.
The tragedy is that in the name of resisting the internal deterioration of faith and the corruption of the world around them, many Christians - and Christian conservatives most significantly -unwittingly embrace some of the most corrosive aspects of the cultural disintegration they decry. By nurturing its resentments, sustaining them through a discourse of negation toward outsiders, and in cases, pursuing their will to power, they become functional Nietzscheans, participating in the very cultural breakdown they so ardently strive resist.
I think that theater is a unique way to communicate with people as they gather together with other people they may not even know. It creates a sense of shared community for the time of the performance that hopefully carries over into other aspects of the audience's life because they have shared this experience together.
By the late 70s conservatism was becoming more corporate on the one hand, more theocratic on the other. In reaction to the 60s, conservatism was more about order than freedom, more about conformity than singularity.
I always see nice images like that but I don't know what to do with them. I guess you share them with someone. Or you write them down in a poem. I had so many of those little images, but I never shared them or wrote any of them down.
I don't judge my effectiveness by how many words I say. I think liberals often see nuances in things... Conservatives tend to see things in black and white. It gives them an air of certainty and conviction that might make them more comfortable to watch.
The 'low' quality of many American films, and of much American popular culture, induces many art lovers to support cultural protectionism. Few people wish to see the cultural diversity of the world disappear under a wave of American market dominance.
We came together [with King Hussein of Jordan] because of a shared sense of idealism, of the value of service to a community far greater than ourselves, and the conviction that each and everyone of us can meaningfully contribute to solving even the most seemingly intractable problems.
Mesut and I played together at Werder Bremen and Arsenal for so many years. There is no other player that I shared so much time with. We were important for each other.
Is that why you came?' 'No, I came because I simply can't get enough of people looking down their noses at me. The girls at school are getting frightfully lax about it.' 'Are they? How remiss of them. We're taught from the cradle how to look down our noses, you know, we rich sons of bitches. Perhaps Westcliffe's curriculum is a tad too liberal these days.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
Cultural America is under siege. And as the Soviet experience illustrates, ideology is a weak glue to hold together people otherwise lacking racial, ethnic, and cultural sources of community.
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