A Quote by Ridley Scott

In film, it's very important to not allow yourself to get sentimental, which, being British, I try to avoid. People sometimes regard sentimentality as emotion. It is not. Sentimentality is unearned emotion.
British culture is very cynical sometimes of overt displays of sentimentality, and I think that becomes almost a suspicion of emotion, or a suspicion of someone making a grand statement. It is always easier to be ironic, or 'meta', or coolly postmodern. But I think there is such a thing as authentic sentimentality.
Sentimentality is unearned emotion.
A lot of people hate heroes. I was criticized for portraying people who are brave, honest, loving, intelligent. That was called weak and sentimental. People who dismiss all real emotion as sentimentality are cowards. They’re afraid to commit themselves, and so they remain ‘cool’ for the rest of their lives, until they’re dead—then they’re really cool.
It's my feeling that any writer can get an emotion into a story without being sentimental as long as the emotion is dealt with honestly, with sufficient clarity, and detail.
Sentimentality, the ostentatious parading of excessive and spurious emotion, is the mark of dishonesty, the inability to feel.
Sentimentality, like pornography, is fragmented emotion; a natural consequence of a high visual gradient in any culture.
I always say that I don't want to be sentimental, that the photographs shouldn't be sentimental, and yet, I am conscious of my sentimentality.
I don't like mushiness. I'm a very emotional person but I hate sentimentality. I don't like great demonstrations of emotion. But as I'm getting older, I'm getting much more open about all that.
When you feel yourself in the grip of an emotion such as jealousy or anger or sorrow, detach yourself from it. Take a step back. When you do that, you can allow the emotion to run through you without causing negative thoughts or actions.
I have come to this conclusion: if 'sentimentality' is lazy emotion, then the term itself is lazy criticism.
Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.
Sometimes you get submerged by emotion. I think it's very important to express it - which doesn't necessarily mean hitting someone.
I have complicated feelings about nostalgia. I think that sometimes it can be dangerous. It can airbrush the truth, or fictionalize the truth, which leads to the worst kind of sentimentality. But I'm also a sentimental person who feels quite a bit of nostalgia.
Mostly what I try to do is build emotion. Only I'd prefer not to do it by telling you about emotion but by pushing that emotion down.
I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
If you're striving for strong emotion and strong sentiment, and you're authentic with it and honest with it, then you're on the right side of the line. But if you step into sentimentality, there is a false move or a false tone to it.
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