A Quote by Ridley Scott
'The Duellists' won Cannes, but Paramount didn't know how to release a film about two guys in bizarre breeches, waving swords around. I actually think it's a pretty good Western.
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Will nodded toward Hadrian. “Look at the swords he’s carrying. A man wearing one—maybe he knows how to use it, maybe not. A man carries two—he probably don’t know nothing about swords, but he wants you to think he does. But a man carrying three swords—that’s a lot of weight. No one’s gonna haul that much steel around unless he makes a living using them.
I'm so happy and relieved for the indie spirited film world because ... I don't even know if it's indie, it's just alternative cinema that's just different than what the studios are doing and it's a big variety in that category. Everyone always is complaining about the film industry but I think it's important to acknowledge when it's actually a pretty good time when that comes back around. I'd be remiss not to say, "Hey, it's a pretty good era right now for these reasons," and maybe that doesn't last or maybe it does, but I will acknowledge it.
I was 15 when Chernobyl happened, I've been vaguely thinking about it for most of my life. But somewhere around 2015, it occurred to me that I didn't know how it happened, which seemed like a pretty bizarre lapse in my understanding of the world and how it functions.
In a movie like this, the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job.
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, the Western film is American and American only; there's really no Western genre over in Asia.
Everybody said that a film that funny can't win because normally your Cannes winner will be something more serious. It's not very often that a film that's bordering on comedy has won in Cannes.
More often than not as a quarterback, your performance is a reflection of the guys around you. I've been fortunate to be around some pretty good guys.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
I think sometimes men find it easier to be a carer than an accessory. I mean, most women I know in bands are pretty lonely. Guys don't want to travel around with you. I know loads of women who do it, but guys don't do it. They're not brought up for it.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
As a Western, 'The Magnificent Seven' was a pretty good film. I don't think it was as interesting or as multi-faceted as 'Seven Samurai.'
Film is such a bizarre vehicle for acting. It's such a bizarre experience. I don't think you ever really get familiar with it. If you do get familiar with it, you're probably not that good anymore.
I actually know the moment I became known. It was at the Cannes Film Festival, when they showed 'The Virgin Spring.' I walked into that theater as one person, and I walked out as another.
Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.
I'm a pretty feminized geek, you know? I have that point of view, I grew up around a lot of girls, so I'm pretty sensitive to that. But I don't dare say 'I know how women think.'
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