A Quote by Ridley Scott

I'm an Englishman who did a film on Mogadishu, 'Black Hawk Down.' — © Ridley Scott
I'm an Englishman who did a film on Mogadishu, 'Black Hawk Down.'
The film Black Hawk Down paints the Somali people as wild savages.
The film 'Black Hawk Down' paints the Somali people as wild savages.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
I grew up as an artist. Science fiction allows for design and creatures and guns and all the stuff that I like as well. So I think most of the films I make, I'm sure, will be in that category. But I can also see myself making a film like 'Black Hawk Down,' and I could also totally do horror.
'Black Hawk Down' has such distinctive visual aplomb that its jingoism starts to feel like part of its atmosphere.
Kim Coates is my best friend. I met Coatsy in 2001 in Morocco while working on 'Black Hawk Down.'
'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire, the picture seems to choose futility arbitrarily.
On 'Black Hawk Down,' I was employing 1,000 Muslims. 'Kingdom of Heaven,' same deal except bigger, probably 1,500 Muslims.
I think probably the scaredest I've ever been was in Somalia. I arrived there when the episode that became known as 'Black Hawk Down' was still taking place. The Americans were still pinned down under fire. And everybody else was basically going the other way, and I was the only one putting my hand up for a flight in.
In America now every romantic comedy is interpreted politically. I can remember when I was promoting Black Hawk Down we were all being asked what it said about September 11th. Well, it was shot before that happened, so, nothing.
I don't drink coffee I take tea my dear, I like my toast done on one side. And you can hear it in my accent when I talk, I'm an Englishman in New York. See me walking down Fifth Avenue, a walking cane here at my side. I take it everywhere I walk, I'm an Englishman in New York. I'm an alien I'm a legal alien, I'm an Englishman in New York.
When I first read the script to 'Black Hawk Down,' I didn't think it was the greatest thing in the world - far from it. But I thought the script at least raised some very important questions that are missing from the final product.
I'm proud of 'Black Hawk Down' because I think it told a provocative story and it was honest. It could have had more opportunity to tell both sides of the story, but I'm still proud of it.
I had many years where I just worked from film to film to film. And then all of a sudden I went: "Where did I put my bags down? Where's my little place I call home?"
I won an award for my debut film. However, my career went up and down after that but I kept getting work. I did whatever excited me and did not think which role or film will change my career.
In the tradition of Black Hawk Down, Malcolm MacPherson vividly brings to life this harrowing story of courage, pathos, and war at its grittiest. For military history buffs, or those interested in the front lines of the war on terror, Roberts Ridge is a must read.
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