A Quote by Ridley Scott
When you're at a certain point in your time - age, that is, when you're older - you start to realize that, actually, what you leave behind you does count, and so you start to become fundamentally aware of your own destiny, which sounds very grand. It's not grand at all, actually.
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I would agree on the aging thing. Because, at a certain point, once you start noticing it, it is your subject. And I know young that people, when they get to 30, say, "Oh, I'm so old." But actually, around 50, you do become conscious of it.
I was very much a tomboy for a long time, but as I start to get older, I realize I better actually try to preserve what I have and I better be a little conscientious about my regime.
I think sometimes when people get older they start to limit themselves and think that if they wanted to start singing or they wanted to start playing guitar or if they wanted to, I don't know...become an archeologist - whatever it is, they think they just can't do it anymore because they've hit a certain age and I just think that's like putting yourself in jail. I realised a couple of years ago that the more that I did and made things and created things that I could love; it helped me to realise that I was actually loving myself and what came out of me.
Growing old becomes clear to you at a certain point. I think it's after the age of 70 you realize - you begin to actually be convinced - you're growing older.
If you want to be useful, you can always start now. It will be a humble prototype of your grand vision, but you’ll be in the game. Start by teaching someone this week. Starting small puts 100% of your energy into solving real problems for real people.
The thing you start noticing as books go by, is that you become aware not only of a shape of a career, but of your themes and interests. You don't want writing tricks where you make the same joke every time, but you do start to notice what consumes your mind, or what drives you.
Australians love to pump you up when you're nobody. Then, when you start to put your head above water and say, 'Well, actually, I am a bit different, I am an individual and I do have a particular talent', or whatever, they want to go after you. But the good news is that once you reach a certain level, I think they start to leave you alone.
Honestly so much money gets taken for taxes from contest winnings that you have to be smart with it. People think that because I won 200 grand, I actually got 200 grand, but a big chunk of that gets taken out. You have to be very smart with your money.
Everything for me starts very small and snowballs. So I rarely start with the grand idea and find a place for it and narrow down. It's, really, just start small, and as I'm writing it, I begin to see - sometimes to my own surprise - what's unfolding and what's blooming.
When you see someone, you automatically start putting those people together - the eyes and the lips. And what that does is that it creates an identity with that person, so when they actually start working, the audience sees exactly what you're seeing, and they become recognizable. So instant recognition is when certain women and men have features that look like other people. So baby Gisele is, like, Linda V - that's what she was called for a long time.
I start a lot of things and purposely leave them unfinished. When I have a bunch of really long emails, and I need time to think about the response, I'll actually start replying, leave them as drafts, and move onto something else mid-sentence.
When you start working, everybody is in your studio- the past, your friends, enemies, the art world, and above all, your own ideas- all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you are lucky, even you leave.
I was very unique as a child, dressed a certain way, acted a certain way, didn't fit in with everybody. So I immediately got picked on, especially around the age of 12 and 13, when you start going to junior high and start mingling with the older kids. To counteract that, strictly for self-defense, I wanted to get bigger.
You cannot start dancing at the grand old age of 30.
I was very unique as a child, dressed a certain way, acted a certain way, didnt fit in with everybody. So I immediately got picked on, especially around the age of 12 and 13, when you start going to junior high and start mingling with the older kids. To counteract that, strictly for self-defense, I wanted to get bigger.
If you go to a master to study and learn the techniques, you diligently follow all the instructions the master puts upon you. But then comes the time for using the rules in your own way and not being bound by them....You can actually forget the rules because they have been assimilated. You are an artist. Your own innocence now is of one who has become an artist, who has been, as it were, transmuted.... You can't have creativity unless you leave behind the bounded, the fixed, all the rules.
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