A Quote by Ridley Scott

Sacred texts give no specific depiction of God, so for centuries, artists and filmmakers have had to choose their own visual depiction. — © Ridley Scott
Sacred texts give no specific depiction of God, so for centuries, artists and filmmakers have had to choose their own visual depiction.
I think one of the most important American films is 'Jackie Brown,' which is such a humble depiction of humble characters but so powerful. The film was pure depiction of the American poverty of the '90s.
I think one of the most important American films is "Jackie Brown", which is such a humble depiction of humble characters but so powerful. The film was pure depiction of the American poverty of the 90s.
The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
All novels are about certain minorities: the individual is a minority. The universal in the novel-and isn't that what we're all clamoring for these days?-is reached only through the depiction of the specific man in a specific circumstance.
I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal.
The God of the Old Testament is the depiction of evil.
Photography has always been about documentary, the depiction of the instant, a moment, sometimes a place. Each project is somehow an experimentation of a specific context or a character.
Modern man is in crisis. He has degenerated from the redoubtable pillar he became through centuries of refinement and slipped resignedly into the popular depiction of himself as a witless under-achiever, incapable of looking after himself or those around him.
At the root of all our disobedience are particular ways in which we continue to seek control of our lives through systems of works-righteousness. The way to progress as a Christian is to continually repent and uproot these systems the same way we become Christians, namely by the vivid depiction (and re-depiction) of Christ’s saving work for us, and the abandoning of self-trusting efforts to complete ourselves. We must go back again and again to the gospel of Christ-crucified, so that our hearts are more deeply gripped by the reality of what he did and who we are in him.
I think it's sinful to give the audience material it knows already, whether the material is about race relations or the car culture or the depiction and placement of a candy bar.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.
Visual artists choreograph dances for the eyes, guiding visual journeys in specific ways. But when presented with little or nothing, the journeys of the eyes become erratic and finally still their restless searching. The eye and mind and heart grow quiet, come to rest, and begin to understand their own functioning more deeply.
As for the depiction of the Catholic church, it's not meant to be a prediction
It's a movie depiction you don't want to screw up.
As for the depiction of the Catholic church, it's not meant to be a prediction.
The biblical texts that we Christians have used for centuries to justify our hostility toward the Jews need to be banished forever from the sacred writings of the Christian church.
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