Hmm, limelight... No, I'm not Sienna Miller or Angelina Jolie. I'm very lucky and happy, but I still find it very difficult to get good scripts and good roles. It's really a jungle out there.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
We lack good film scriptwriters. People like Anjan Chowdhury who could develop scripts of pure entertainers are quite difficult to find now. There are obviously some exceptions like Padmanabha Dasgupta. But how many scripts can one single Padmanabha Dasgupta churn out!
It's very difficult to get any movies done about Black heroes - Haitian or American - in Hollywood. The argument in Hollywood is that there is no market for those movies, and that is not true.
I think Wonder Woman is a very difficult character to crack. More difficult than Superman, who is also more difficult than Batman. Also, a lot of people in Hollywood believe that it's hard to do a big action movie with a female lead. I happen to disagree with that.
Hollywood is probably the most active centre of film-making in the world, but it's also a very difficult place in which to find your voice... It was also a far more civilised industry in Ireland.
I find performing very difficult. It's difficult to be a good actor. I get very nervous, even though it sounds disingenuous, because you could legitimately go, 'Well, why do it?'
I wouldn't have been interested in making a show just about Hollywood, 'cause I find Hollywood boring. I find people and families very interesting.
When you find out there is no ultimate good and evil in which you can place your faith, the world does not fall apart at the seams. It simply means that every decision is more difficult, more critical, because you are creating the good and evil yourself and they are very real.
So, no, I'm not trying to crack into Hollywood, although I'll make films there if they're good scripts.
I find mediocrity hard. I find that whole area difficult. I'm a very passionate person; I care very much about what I do. I believe I give it a lot, so it's gotta be good; otherwise, what's the point?
Americans are very good at animating voices. I don't know why. They have a freedom with them that we British actors find more difficult to get to.
I thought I'd give myself 10 years as an entertainment journalist and build up so much clout that there was no way Hollywood could ignore me when I started delivering scripts. Little did I know they were very good at ignoring it.
It's very, very, very, very difficult, you know any parent with children with any kind of special needs is very difficult.
Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.
Good scripts have always been, I think, hard to find. Good storytelling, good writing - it's just not easy. I have made it a point that - if I'm going to put the energy into doing this work - I will wait until I find something I'm really happy with.