A Quote by Ridley Scott

Once, I got slaughtered after 'Blade Runner' by Pauline Kael: three pages of slaughter. I was so offended, I would never read any more press. — © Ridley Scott
Once, I got slaughtered after 'Blade Runner' by Pauline Kael: three pages of slaughter. I was so offended, I would never read any more press.
Honestly, I would never say, 'Oh, I've decided not to read 'The Left Hand of Darkness' because I've seen 'Blade Runner.' I've decided not to read 'Neuromancer' because I've seen 'Blade Runner.''
Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.
Every weekend from, like, 1974 to 1978, I'd trudge over to the Greenwich library, which gathered up almost every major newspaper in the country. I would sit there all day long and read and read and read the reviews. I remember being twelve or thirteen and writing to Judith Crist, Pauline Kael, and Roger Ebert.
I'm among the hardcore fans of 'Blade Runner.' 'Blade Runner' is one of my favorite movies of all time. It's a movie that is linked with my love and passion for cinema.
When it was released in the 80s in Japan, 'Blade Runner' was actually a series that influenced the Japanese media very much so. I assume that everyone in the anime industry has seen Blade Runner at some point.
Pauline Kael said that Rip Torn could get angrier faster than any other American actor: that he could go from zero to 10 in 1.8 seconds or something like that.
I really try to understand what people are saying and answer as honestly as I can. But sometimes it's like they try to tie you into knots. That's why I mostly steer clear of the popular press. I try not to read . . . Well, I never read gossip press. I just read books. And I never switch on the TV any more.
Blade Runner was the godfather of all these fantastic movies that occur today. What's frustrating is that we're short of really great writing and great ideas. Blade Runner was full of them.
Some people may argue that if the animals are treated humanely prior to being slaughtered, this justifies their confinement and slaughter. Is it ethical to rob beings of their freedom but give them a comfortable prison and provide them with food until they become fat enough to be slaughtered? Any way you look at it, farms are places where animals are kept in preparation to be slaughtered and ultimately eaten as food.
When 'Blade Runner' came out, and especially, even actually when 'Alien' came out, it kind of changed how all science fiction movies were designed after that. And that was a really great thing. Now we're watching a lot of movies that are Xeroxes of Xeroxes of Xeroxes of Xeroxes of 'Blade Runner.'
I was really influenced by Joan Didion and Pauline Kael; they were both at the height of their influence when I was coming into my own as a reader.
When I saw 'Blade Runner,' my understanding was that 'Blade Runner' and 'Alien' were sequels to each other - or they were related. They were set in the same world.
Sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive. And then there's music, and girls, and drugs, and homeless people who've read Pauline Kael, and wah-wah pedals, and English potato chip flavors, and I haven't even read Martin Chuzzlewit yet... There's plenty out there.
The celebrated film critic Pauline Kael once wrote that movies function as escape pods, portals to parallel universes that can be radically different from emotional norms and societal conditioning of our own. What she meant was they parceled out freedom, allowing viewers to lose their selves in an effort to find greater connection to the self.
I never read gossip press. I just read books. And I never switch on the TV any more.
I've been kinda fascinated by misfits, outcasts, and downtrodden people. I've identified with them. 'Blade Runner' probably got me more work than any. It convinced some producers that I could play something other than a rural crazy, I guess.
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