A Quote by Rithy Panh
In all of my films, there is a desire to testify, to interrogate the past.
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No one can master the past; one can only interrogate it.
Choicelessness is the alchemy of transformation, of inner mutation. A new being is born who has nothing to do with the past, who is absolutely discontinuous with the past. He has no desire. And when there is no desire, for the first time you live
When I testify, I'll testify. I don't need to sit around chewing my fingernails.
If you're dealing with a powerful leader, you're inevitably going to have a dialogue with her political past. It was always my intention to interrogate Thatcher's political life.
It's important to interrogate history, it's important to document history, because as a society we need constant reminders of the things that we've done in the past in the hope we can stop repeating these horrible lessons.
We do not succeed in changing things according to our desire, but gradually our desire changes. The situation that we hoped to change because it was intolerable becomes unimportant. We have not managed to surmount the obstacle, as we were absolutely determined to do, but life has taken us round it, led us past it, and then if we turn round to gaze at the remote past, we can barely catch sight of it, so imperceptible has it become.
To be angry is to yield to the influence of Satan. No one can make us angry. It is our choice. If we desire to have a proper spirit with us at all times, we must choose to refrain from becoming angry. I testify that such is possible.
I get up every morning with a desire to do some creative work. This desire is made of the same stuff as the sexual desire, the desire to make money, or any other desire.
Because people's desire to be comfortable supersedes their desire for self knowledge and well being, they avoid any form of discomfort. This is the impulse that drives us to repress undesired emotions, thoughts, and past trauma.
In talking about the [Emmett Till murder trial], you have to repeat the atmosphere. This is Mississippi in 1955, with a long history of intimidation of witnesses and fear on the part of blacks to testify, in racial situations in particular. For someone like Mose Wright and others to testify against white defendants in a situation like this was historic.
I testify that in The Church of Jesus Christ of Latter-day Saints is found the priesthood authority to administer the ordinances by which we can enter into binding covenants with our Heavenly Father in the name of His Holy Son. I testify that God will keep His promises to you as you honor your covenants with Him.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
I felt like lying down by the side of the trail and remembering it all. The woods do that to you, they always look familiar, long lost, like the face of a long-dead relative, like an old dream, like a piece of forgotten song drifting across the water, most of all like golden eternities of past childhood or past manhood and all the living and the dying and the heartbreak that went on a million years ago and the clouds as they pass overhead seem to testify (by their own lonesome familiarity) to this feeling.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
Celebration is not because some desire is fulfilled - because no desire is ever fulfilled. Desire as such cannot be fulfilled. Desire is only a way to avoid the present moment. Desire creates the future and takes you far away. Desire is a drug; it keeps you stoned, it does not allow you to see the reality - that which is herenow.
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