A Quote by Rob Marshall

At the end of a song, someone's always different than they are at the beginning. — © Rob Marshall
At the end of a song, someone's always different than they are at the beginning.
I never start a song at the beginning; I always start in the middle, working with the original concept. That might be a loop or a vocal hook. A weird noise or a string sample. Once that's at the heart of the song, I work concertina-fashion, expanding the song forwards to the end and backwards to the beginning.
it is always easier to see the beginning from the end, than the end from the beginning.
Musically, there's probably nothing better than, after spending weeks or months of grinding on a lyric or a song, when you play a good song from beginning to end for the first time - there's a moment there where all the pain and suffering is worth it.
Writing a TV show is totally different than writing features, or just, what I started doing is writing features. You write a little bit more organically. You start from the beginning to the end, beginning, middle and end.
The odds are definitely better on getting the right job than getting a good partner for life. Someone who will grow with you. Someone to develop memories with. Someone who was there in the beginning. Someone who will be there at the end.
I feel confident that we will have a beginning, middle and end, in this season, and it was wise of NBC to then call it what it really is, which is a mini-series. "24" is a really good example, in that there was a definitive beginning, middle and end for the first season. They had a slightly different format than we have, but the second season just retained Jack Bauer and a few other players, with the same basic format and idea, but it was a completely different show.
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.
Mary Stuart wrote, 'My end is in my beginning.' It is easier to agree with her than to decide what is the beginning, and what is the end.
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.
And the end and the beginning were always there Before the beginning and after the end.
It's a different kind of satisfaction, different kind of enjoyment than making your own songs, to remake someone else's song that you really like.
Here's what I know about political campaigns: no matter what you map out at the beginning, it's always different at the end.
A piece of writing is only worth doing if you're a different person at the end of the process than you were at the beginning.
The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.
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