A Quote by Rob Reiner
It's the only way I really know how to tell the story is to be able to kind of live through the characters. So when I find something that resonates with me, it's usually because it cuts to something very real inside of me; something that I've gone through or experienced.
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For me, I think it's such an important thing to hear other people's stories, because you do find ways that either you can learn something from them, or you can identify with something that they've gone through. You realize that maybe what you're going through in life isn't just specific to you, that somebody else understands it, or you talk to someone and all of sudden you see something in a completely different way because of what they've said to you or shared with you.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
Whenever I read a poem that moves me, I know I'm not alone in the world. I feel a connection to the person who wrote it, knowing that he or she has gone through something similar to what I've experienced, or felt something like what I have felt. And their poem gives me hope and courage, because I know that they survived, that their life force was strong enough to turn experience into words and shape it into meaning and then bring it toward me to share.
When I was a kid I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really, something that was almost see-through but it just moved in front of me. It was definitely something you could tell was there, and it really freaked me out. I think I was probably 10, and I ran all the way home.
The first thing, when I read the script, is that I need to care about what happens and feel compelled by the story and engaged by the characters. It needs to resonate with me, even if what the characters are going through is not something that I have experienced in my life. I have to feel like it has some sort of meaning to me.
To me [my marriage to Kim Kardashian] was real. I would never go through something or do something that wasn't real or I didn't believe in, so I can really only speak for myself in terms of that.
I write about what I know and what I've experienced. That's the only way it can be real to me. I love songwriting. There is something so satisfying in coming up with an idea and turning it into a song that means something to people.
It is very hard to not be able to engage with people in a real and honest way because they either want something from me, or they see me as something that I simply am not.
Everything is an idea for something, something that touches the imagination, a fact that seems relevant or maybe just a statement I find interesting — either because it resonates or because I disagree. All of it is fodder for continued work or thinking on the topics. It’s also important to me to record the ideas that my instincts tell me are bad.
I don't like to veer away from the truth because I think that's what people have fallen in love with about my music. It's honest. I can't portray to you something that I've never been through or something I didn't watch someone close to me go through. It's the best way for people to get to me know.
I always encourage people who had a loss of any kind that you find something to focus on that takes you out of that horrific sorrow. And you have to go through it. No way out but through in the grief. But don't remain in the grief. You know, find something that you can nurture as you would that being that you loved.
The baby explodes into an unknown world that is only knowable through some kind of a story – of course that is how we all live, it’s the narrative of our lives, but adoption drops you into the story after it has started. It’s like reading a book with the first few pages missing. It’s like arriving after curtain up. The feeling that something is missing never, ever leaves you – and it can’t, and it shouldn’t, because something is missing.
Of course, I want to look the best I can, but I am playing characters that should match my age, and the women and the material that I am interested in are usually going through something. I have to be able to live in my face and tell the story of the character I've taken on.
I think humor really is the most effective way for me personally to express myself. When I see an incredible formalist painting, I respect it. I really do. I see its history and I get it. But when I pass something weird or something funny, I totally associate with it. I find myself thinking about it later that day. That's how I know something is thought provoking. That's how I know something is effective.
I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.
Dimitri. I hadn't known he was here. His eyes were on me too,dark and endless. Only I couldn't read what he was feeling. His face betrayed nothing, but there was something in his eyes...something intense and intimidating. The image of him ready to take down that group of guardians flashed through my mind,and something told me that if I asked,He would fight his way to me through this courtroom and do everything in his power to rescue me from it.
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