A Quote by Rob Reiner

If you have tapped into something that is real for you, chances are you are going to tap into something that is real for someone else. — © Rob Reiner
If you have tapped into something that is real for you, chances are you are going to tap into something that is real for someone else.
Illusion doesn't mean that something is not real. Illusion simply means that something is less real than something else. This life and this world certainly exist - who is to say the reality of the dream is not real?
Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
Unless you're playing a real character based on a real person, if someone else has done it before, you're probably better off not watching it as an actor. Otherwise you end up trying to copy someone else.
Be real, because a mask only fools people on the outside. Pretending to be someone you're not takes a toll on the real you, and the real you is more important than anyone else.
When you're portraying someone, whether they're real or fictional, you have to find some kind of hook where it feels real to you because if you don't believe it yourself, then no one else is going to believe it.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.
Shoot, man, I loved being a damn heel. Something about that, just going out there and being the most despicable person you could ever be, was a real turn-on for me. And I grew up a real shy kid in south Texas, and it was something for me to lean on and have fun with.
If your relationship with someone is based on your desire for them to change into something radically different, there's no real closeness there, no real communication.
The kids out there want something they can relate to, something that's real; most of that whiny stuff isn't real. The cheesy pop songs just bore me to death.
To me [my marriage to Kim Kardashian] was real. I would never go through something or do something that wasn't real or I didn't believe in, so I can really only speak for myself in terms of that.
Usually, the most difficult thing to do is photo-real stuff. Something that has to actually look like the real world, because it's just so difficult to do that. We're just so used to looking at the real world, our brains instantly see when something is not quite right.
The Troubles are a pigmentation in our lives here, a constant irritation that detracts from real life. But life has to do with something else as well, and it's the other things which are the more permanent and real.
I think one of the shortcomings of reality, of real experience, is most people's inability to examine something carefully and thoughtfully without moving around or being distracted by something else. What photography does really is it forces you to examine something you normally wouldn't.
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