A Quote by Robert Aldrich

The same characters that keep reappearing, bigger than life, find their own integrity in doing what they do the way they do it, even if it causes their own deaths. — © Robert Aldrich
The same characters that keep reappearing, bigger than life, find their own integrity in doing what they do the way they do it, even if it causes their own deaths.
I'll never approach a part in the same way again. Piaf taught me so much. In terms of my work, I think I'll enjoy it even more than before, because now I know that characters truly exist in their own right. I'll have a way to bring them even more intensely to life.
The subject of death is taboo. We feel, perhaps only subconsciously, that to be in contact with death in any way, even indirectly, somehow confronts us with the prospect of our own deaths, draws our own deaths closer and makes them more real and thinkable.
With only one life to live we can't afford to live it only for itself. Somehow we must each for himself, find the way in which we can make our individual lives fit into the pattern of all the lives which surround it. We must establish our own relationships to the whole. And each must do it in his own way, using his own talents, relying on his own integrity and strength, climbing his own road to his own summit.
When you own a car, you want to keep it looking good, maybe even give it a wash once a week. When you own a house, you try to keep it maintained and don't let the rot set in. When we own something, we look after it. We need to make the same choices with our bodies.
I love my family and I love my kids, but when the moments come, it's not as though you can just substitute your own life with what you're doing on film. You have to go to some other place where it's bigger than your own life.
I take all my characters very seriously - the main, secondary, and supporting characters. Even if they only appear once, they still need to have their own life. Some characters are absent literally but at the same time very, very present.
Every child has a right to its own bent. . . . It has a right to find its own way and go its own way, whether that way seems wise or foolish to others, exactly as an adult has. It has a right to privacy as to its own doings and its own affairs as much as if it were its own father.
For me, it is especially important to maintain my interior life. My spirituality, my connectedness. That is the way I think. That is the way I deal with life and tough moments. I keep in touch with something bigger than me. And I connect with people who have an interior life - a connection with something bigger than them.
People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness.
The writer must always leave room for the characters to grow and change. If you move your characters from plot point to plot point, like painting by the numbers, they often remain stick figures. They will never take on a life of their own. The most exciting thing is when you find a character doing something surprising or unplanned. Like a character saying to me: ‘Hey, Richard, you may think I work for you, but I don’t. I’m my own person.’
I've been naturally quick at learning things, and I learn by doing things, so if I sit beside someone who is actively doing something, I look at how they do it and absorb the way in which they do something and find my own comfortable way of reimagining that, or using certain techniques in my own way.
Love is when you have the opportunity of turning someone's feelings or trust or vulnerability against them, but you don't. You make promises you don't want to keep, but you keep them because they're right; you help people who can't help you back. [...] Love is when you find something so great, sonecessary, that it becomes more important to you than your own goals, than your own life - not because your life has no meaning without it, but because it gives your life a meaning it never had before.
I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.
People are imitative and imitation is bound to be unintelligent. They want to do exactly the things which others are doing. That destroys their freshness. Do things in your own style; live your life according to your own light. And even if the same situation arises, be alert to find a new response. It is only a question of a little alertness, and once you have started enjoying... and it is really a great joy to respond to old situations always in a new way, because that newness keeps you young, keeps you conscious, keeps you non-mechanical, keeps you alive.
The city was bigger than its buildings, bigger than its inhabitants too. It had its own nuances. It accepted whatever came its way, the crime and the violence and the little shocks of good that crawled out from underneath the everyday.
What I've learned is that there is nothing in this life that does not fail to disappoint us, even our own deaths.
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